Introduction Henrik Johan Ibsen was born on 20 March 1828. He was known as a major 19th century Norwegian playwright‚ theatre director and a poet. He is often referred to as “the father of realism”. A doll house was based on the life of Laura Kieler a good friend of Ibsen. Symbolisms in literature Symbolism is when the author uses an object or reference to add deeper meaning to a story. Symbolism in literature can be subtle or obvious‚ used sparingly or heavy-handedly. An author may
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ChooseMyPlate.gov to document my food intakes‚ and it was very interesting to see what my report had revealed from my three days of eating. The foods that provided me with protein were chicken strips‚ chicken breast‚ a sausage link‚ chocolate chip cookies‚ macaroon cookies‚ cheeseburger‚ and baked fish. The foods that provided me with carbohydrates was bread from the cheeseburger‚ the coated breading on my chicken strips‚ penne pasta‚ broccoli‚ 2% milk‚ chocolate chip
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saying ` they love to have a dinner in my place’. Third‚ preparing and eating food at home is like a hobby for me. I can spend lots of time with cooking experiments. For instance‚ I had a recipe of macaroon from my colleague the previous day and I decided to make it after work. When I took my macaroons to work yesterday‚ all my colleagues loved them and appreciated my ambition. For these reasons‚ I believe that I prefer to prepare and eat food at home because it is healthier‚ it is less expensive
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allow herself to be treated as a pet. When Helmer calls her his ‘little skylark’ and his ‘little squirrel ‘ we feel amused. But it is more amusing that Nora herself describes her with those epithets . even her popping a macaroon into her mouth and trying to hide the bag of macaroon from her husband is a comic act. The scene of her flirtation with Doctor Rank too has something comic about it. But it is a tragic character that Nora is memorable. The dominant impression that the story leaves on our mind
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One of the first things that happens in the play foreshadows the volume of deception that will continue throughout the play. Nora comes home and asks Torvald to come see all the things she’s bought but not before she stealthily hides a bag of macaroons in her pocket. Later on in the story‚ she tells Mrs.Linde‚ who she has a great amity with‚ that she has an even bigger secret. The secret is that she has to borrow some money to save her husband’s life. She lies to Mrs.Linde though and says that
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House is the Christmas tree‚ which symbolizes family‚ unity and joy. “Hide the Tree well‚ Helen. The children mustn’t get a glimpse of it till this evening‚ after it’s trimmed.”(Ibsen Pg. 43). The macaroons show Nora’s inner passion which she needs to hide from her marriage. “Just now (putting the macaroon bag in her pocket and wiping her mouth.)” ‚ yet she had to hide her passion for wanting to be with Trovald from her husband “you’re my secret draling young bride to be and that no one suspects there’s
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Written Assignment on A Doll’s House In A Doll’s House‚ Henrik Ibsen showcases how toxic formations of masculinity as well as femininity can birth completely destructive and damaging relationships between men and women. Norway in the 1870s‚ presumably similar to every culture‚ was a sexist society that adopted stereotypical gender roles. In the play‚ the cultural perceptions of economics‚ food‚ art‚ and family‚ all being superficially tied to gender‚ contribute to the extinction of a marriage.
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only the pet names diminish her status‚ but also Tolvard shows that he is in charge by prohibiting Nora from eating macaroons‚ making her dance the tarantella and by caring about his pride more than his wife. By prohibiting macaroons in the household it shows a simple example of how most of the men were in controlled over what can be done in the house. “She takes a packet of macaroons from her pocket and eats one or two; then goes cautiously to her husband’s door and listens” (12) shows how she is
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to Torvald ’s control. To illustrate‚ Torvald forbids Nora to eat her favorite treat‚ the macaroon‚ bringing his domineering nature to light; however‚ she does not abide by his rule. Exemplifying his authority and her deception‚ Torvald asks‚ "Not even munched a macaroon or two?" and Nora responds‚ "No‚ Torvald‚ I assure you‚ really"(Ibsen 1329). Though Torvald prohibits Nora ’s consumption of the macaroon‚ she defiantly indulges herself supporting her silent declaration of freedom. Torvald ’s
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Cultural Shifts on “The Returning” A.K.A “Kembali” Bayu Baharul Islam “The Returning” is a play written by Fredrik Brattberg and had been translated into two languages; English and Indonesian. It was performed and adapted into Indonesian “Kembali” on October 2013 in IFI Bandung‚ directed by Sahlan Bahuy. “Kembali” is a tragic comedy which is tells a story of parents who lost their only son without knowing whether the son is dead or still alive. Though they presumed that their son is dead‚ they’re
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