application; this review gives a brief insight into the Lagos carnival‚ which I recently engaged in as an active observer. LAGOS CARNIVAL Lagos is dynamic port city in the heart of Nigeria‚ West Africa; evidence affirms her to be the most populous port city in Nigeria and the second faster growing city in Africa In 2010‚ Babatunde Raji Fashola the newly elected governor of Lagos state announced plans to modernise the Fanti carnival‚ one of Lagos oldest cultural and traditional celebrations. The Fanti
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The British colonial government in Lagos did not have local support to abolish domestic slavery because it would upset and cause conflict with the individuals of power in Lagos. Rather‚ the British used a variety of terms to describe slavery‚ for example “[they] insisted that ‘domestic’ slavery in Africa was ‘benign’ or ‘mild’‚ and that slaves should be regarded as ‘servants‚’ ‘serfs’ or ‘family retainers‚’ rather than downtrodden beasts of burden.” The British feared that upsetting the regional
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Othello’s character in the duration of "The Tragedy of Othello"‚ by the world’s greatest writer‚ William Shakespeare‚ is first shown as a hero of war and a man of great pride and courage. The other main characters in the play all form their own opinions of him and‚ as the play continues‚ his character begins to deteriorate and become less noble. Othello’s character changes from a flawless military leader‚ to become a barbaric murderer. 	Throughout the first act of the play‚ Othello is shown
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ANALYSIS OF FEMALE CHARACTERS IN OTHELLO In this paper I have tried to analyse the female characters of Shakespeare’s Othello in the light of Elizabethan Era‚ and status of women in 12th century‚ the age from which the character of Othello is taken. I have also discussed the status of woman in Christianity in Shakespearean times. The main purpose of this research article in the analyse the female characters of Othello that they were not different from the real life of Shakespearean times nor alien
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the human spirit and his ability to manipulate certain individuals to believe him .” Of all the characters in Shakespeare’s Othello‚ none is more complex and unknown than Iago. He displays a duplicitous character‚ honest and kind on the outside but truly a pure‚ evil and malignant person on the inside. Throughout the play he comes up with evil ideas to turn all his friends‚ who trust him‚ like Othello and Cassio against each other. He achieves this by penetrating their deepest fears and concerns
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a great difference between how the characters perceive him‚ how we perceive him and how he perceives himself. Using evidence‚ discuss the three differing viewpoints and explore Iago’s duplicitous nature. Is he a flat or dynamic character? Humans are born with a natural capacity for good and evil. As an individual develops‚ he or she is taught to distinguish between the two in order to strengthen a sense of right and wrong. Through Shakespeare’s play‚ ‘Othello’ (Heinemann Advanced Shakespeare‚
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RAPID TRANSIT 3. FINANCING THE OPERATING FLEET 4. INSTITUTIONAL AND REGULATORY CONTEXT 5. CREATION OF THE LAMATA 6. THE INTRODUCTION OF LAGOS BRTS 7. THE BENEFITS OF BUS RAPID TRANSIT SYSTEM 8. SUMMARY 9. CONCLUSION INTRODUCTION OF BUS RAPID TRANSIT (BRT) AS A PANACEA TO TRANSPORTATION PROBLEM IN LAGOS INTRODUCTION Lagos city‚ Nigeria’s commercial capital‚ is one the most population dense cities in Africa. Consequently‚ traffic congestion had become a daily reality
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Karolis 12A H/W Iago is a character who is admired and loathed in the equal measure to what extent is he both a hero and villain of Tragedy? In the play Othello by William Shakespeare Iago gets introduced in act 1 scene 1 where he had been complaining to the audience and Roderigo that he had not been chosen to be the lieutenant but Cassio being chosen instead of him by the likes of Othello. Shakespeare from this scene had shown the audience that Iago will be the Stimulus in the play causing
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Othello was written circa 1600‚ when men were superior to women‚ and women’s loyalty was a must. However‚ William Shakespeare efficiently depicted three relationships that were not necessarily as perfect as society would have thought. Through the use of dialogue‚ characterization‚ and actions‚ Shakespeare reflects the distinct characteristics between the foil relationships of Othello and Desdemona‚ Iago and Emilia‚ and Cassio and Bianca. Criticism provided by experts as well as textual evidence from
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men allow themselves to cheat on their wives then they should expect their wives to be hostile towards them and seek revenge (4.3.93-103). The transformation in Emilia’s character is even more pronounced when she clearly sees jealousy in Othello’s attitude. She shows her loyalty to her mistress by speaking up in front of Othello when he was accusing Desdemona to adultery with Cassio. she finds herself guilty in being obedient to Iago when she realized Iago’s wicked plan on using the handkerchief
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