Intertextuality in postmodern literature can be a reference or parallel to another literary work‚ an extended discussion of a work‚ or the adoption of a style. Intertextual figures include: allusion‚ quotation‚ calque‚ plagiarism‚ translation‚ pastiche and parody Pastiche Related to postmodern intertextuality‚ pastiche means to combine‚ or "paste" together‚ multiple elements. It can be seen as a representation
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Memory‚ symbols‚ and patterns can affect literature by causing the reader to recognize the content more clearly. All of these factors will assure the readers that the content makes sense‚ it will allow for more in depth thinking about the content by therefore reflecting the content to those memories‚ patters and or symbols. By using tools such as symbols are patterns‚ its reoccurrence will alternate the theme‚ and mood. Using memory can affect literature by Memory allows the reader to contrast between
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the juxtaposition of the two protagonists‚ intertextuality‚ and symbolism. At the beginning of the film audiences see that Christian‚ a bohemian writer‚ and Satine‚ a courtesan‚ reflect vastly different perceptions of love. Whilst Christian believes in “love above all things”‚ Satine believes that love is a material commodity that can be bought and sold‚ and is introduced by her motto of “diamonds are a girl’s best friend”. With this song‚ intertextuality is used along with heavily symbolic features
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fairytales as narrative on film‚ they took the step of editing the more menacing parts and replacing them with scenes that young children could understand. The opening scene of ‘Shrek’ is taken from a familiar Disney film ‘Snow White’. This intertextuality has an effect of familiarisation with the audience; the audience’s hopes of a normal fairytale are crushed when Shrek rips the page out and uses it as toilet roll. The opening sequence shows Shrek getting ready for the day; in this sequence irony
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An Echo In The Bone The framework for the play’s action is provided by the Nine- Night ceremony of the dead‚ a wake-like ritual practiced by many of the syncretist Revival cults of Jamaica‚ but particularly by the followers of Pocomania The facts are revealed fairly quickly‚ for the play does not aim at ordinary suspense. Crew‚ who farms a smallholding just outside the big estate‚ has killed the white owner of the estate‚ and then apparently committed suicide. And if this violent act is not to
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Historiographic metafiction is a term originally coined by literary theorist Linda Hutcheon. The term “historiographic metafiction” was coined by Linda Hutcheon in her essay “Beginning to Theorize the Postmodern” in 1987 and then further developed in her seminal study A Poetics of Postmodernism ( 1988 ) to describe “those well-known and popular novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages.” According to Hutcheon‚ in "A Poetics
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The aim of this essay is to compare and contrast post-colonialism and post-structuralism as theories of international politics‚ by providing an explanation of the basic principles of each theory and an analysis of the similarities and differences. The first part of this essay will explain the basic principles of post-colonialism and post-structuralism as theories of international politics in order to examine the differences and similarities between these two approaches. In the second part of
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Although SpongeBob is an iconic popular show‚ not every viewer would link “Squeaky Boots” to Poe’s short story‚ and understand that this well-crafted episode demonstrates optional intertextuality. Over and over‚ the author pulls a number of references to acknowledge the show’s association with Poe’s writing. However‚ the context in “Tell- Tale Heart” is not necessary to enjoy the episode’s plot. For those who catch the reference‚ the meaning of the whole episode only slightly changes. One main concept
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Historiographic Metafiction Parody and the Intertextuality of History LINDA HUTCHEON Il y a plus affaire à interpreter les interpretations qu’a interpreter les choses‚ et plus de livres sur les livres que sur autre sujet: nous ne faisons que nous entregloser. -Montaigne The frontiers of a book are never clear-cut: beyond the title‚ the first lines‚ and the last full-stop‚ beyond its internal configuration and its autonomous form‚ it is caught up in a system of references to other books‚ other
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The literary function of a text within a text(intertextuality) in Ruth Ozeki’s ‘A Tale for the Time Being’ Ruth Ozeki is known for incorporating the topic of the jeopardising reality of our generation’s consumption of foul foods through her fictional characters in a form of a tale in her first novel My Year of Meats and her second novel All Over Creation‚ where she is critiqued as ‘isolating what must be one of the most strangest literary niches ever’1. She is also known for cohering two shores-
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