What is Utopia? According to The Random House Dictionary‚ utopia is a place or state of political or social perfection based upon the novel of Utopia by Thomas More. Philosophers‚ writers of all sorts of novels and movies are constantly trying to imagine and conceive plans for an idyllic state of today. The irony of utopia is that it means ‘no place‚ good place’ implying that utopia is an idealistic place that can never happen in reality. Then‚ what is dystopia? Thefreedictionary.com’s definition
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gender and sexuality in science fiction we must first agree that women and men are inherently of equal worth‚ as many writers of feminist science fiction use the genre’s position to discuss issues of change‚ injustice‚ and social partitions (Calvin). The motif of gender and sexuality in science fiction is not restricted to just one subgenre of science fiction but shows up in nearly all varieties‚ creating hybrids in the science fiction world. The genre of science fiction alone is constantly changing
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Cited: Kingston‚ Maxine Hong. The Woman Warrior. New York: Random House Inc.‚ 1976. Macauley‚ Robie‚ George Lanning. Technique in Fiction. New York: St. Martin’s Press‚ 1987.
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Pulp Fiction was originally magazines with tales about bigger than life characters solving crimes or rescuing a damsel in distress. The stories were written on “pulp” which was the cheapest paper available in the 1930’s and 40’s. The low price and exotic new stories drew in readers like moths to a flame. The stories were filled with violence‚ risqué scenes with women‚ and drug use all too off the wall to be published by the major outlets of the time. But some authors like H. P. Lovecraft and Ray
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fantasies’.1 They are stereotyped into vacuous roles such as the romantic interest‚ damsel in distress and femme fetale. Female characters are given little to no agency by white male writers and this is overt in 20th century hard-boiled American crime fiction. In the works of Dashiell Hammett and Raymond Chandler‚ female characters exist only to serve as foils to re-emphasize the hyper-masculinity of the Continental Op and Phillip Marlowe‚ their respective detective protagonists. I put emphasise on the
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Analysis of Pulp Fiction by Alan Stone Alan Stone states his thesis as “Pulp Fiction is already building a cult following‚ even as its mother-fucker language and graphic violence offends others” (610). Much like Tarantino’s film‚ Stone’s article biases toward an audience with a high level of tolerance for violence‚ sick humor‚ and strong language and his ideas jump around like the scenes in the movie and leave the reader confused with poor organization. Right from the introduction paragraph
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mystery and so on. But this is only recent development. There is a lot more to it than most people think. From a French man named Vidocq to the creation of modern detective fiction by Edgar Allan Poe‚ until today’s development of detective stories and its characters. So what made Poe such an important figure in detective fiction history‚ and in what way did his creation develop after his death? In my study I will try to answer these questions to the best of my capabilities. People started to take
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Sci-Fi Formal Essay Quote: "I don ’t try to describe the future. I try to prevent it." Ray Bradbury Science Fiction is a popular and interesting genre’s to read. It is a genre that helps childhood dreams of living in other worlds come to life‚ It is known as the literature of ideas because of the concept of imagination used in the stories e.g. time traveling‚ space travel‚ alien races‚ dystopias‚ utopias etc. It brings us to an imaginative world of the future helping us portray
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Taylor Rogers 4/8/12 O’Neal Paper 3 ENGL 1023 Character Analysis Can one character make an entire script move with reason? In the script “Pulp Fiction” by Quentin Tarantino Vincent Vega is that voice of reason that makes the entire script move. In the script “Pulp Fiction” by Tarantino Vincent Vega is portrayed and used as the voice of reason‚ and always uses logic to get to his final assumptions. In the first scene we come across Vincent he is talking to Jules about
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In this article‚ I am going to compare and contrast the narrative structures‚ generic codes and conventions of film noir with more recent neo-noirs; the films I’m going to use to do this are Double Indemnity and Pulp Fiction. I’m also going to investigate the relationship between original film noirs and the Hollywood studio system and contemporary production contexts in the North American Film Industry. The first film I’m going to be looking at is Double Indemnity‚ a classic noir film which follows
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