to suggest and or change someone’s thoughts and possible actions. In the novel‚ Othello by William Shakespeare‚ the known mentor of Othello is Iago‚ the primary villain of the book. Due to his intense persuasion and influence‚ the whole novel seems to be changed by his cutting personality. In the book‚ Othello‚ William Shakespeare successfully creates Iago‚ a rude‚ manipulative‚ harsh mentor of Othello‚ seemingly changing the plot line and outcomes of certain situations‚ in turn‚ relating to the novel
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now defines the characters. Iago is to blame for this chaos. At the beginning of the play Othello was the noble stature‚ a person that was well respected and a person that people could look up too. As the play goes on and Iago’s plan becomes reality Othello achieves human flaw. While the audience wishes to believe in Othello‚ his errors cause them to slowly lose hope. Iago’s deceiving character causes Othello to obtain impulsive behavior. From the basis of the play Iago was angry with Othello for
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Iago views women as subordinate and the inferior sex; they are nothing more than objects to him. When he talks to Emilia and Desdemona and insists that women are manipulative and lustful. First he describes them in different situations and implies how manipulative they are. When they are out in public or at home‚ he claims they are “pictures out of doors/Bells in your parlours‚ wild-cats in you kitchens” (109-110). He is saying that they are beautiful and pretty as pictures in public; they have
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to be victorious. From the beginning of the novel‚ one sees Iago‚ Othello’s ensign‚ start to plot against Othello for not appointing him to lieutenant. Choosing Michael Cassio instead‚ a ‘great arithmetician’ and ‘a Florentine’‚ only fuels Iago’s anger and jealousy (1.1.18-19). This theme of jealousy continues to resurface throughout the play. Desdemona‚ Othello’s wife‚ becomes a part of Iago’s master plan. Because Othello trusts Iago‚ Iago is able to manipulate Othello into believing that Desdemona
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ability to do so. Iago‚ the character in “Othello” has the ability to take control of all the characters’ lives even if they don’t suspect any kind of remorse. While Shakespeare gave Iago the ability to control the entire plot by his secret misleading situations allows him to be the enticer of every situation that occurs throughout the story. Iago takes advantage of his power by manipulating all of the characters due to jealousy. Jealously plays an important role in Othello. Iago and Othello share
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every action or event stems from one of Shakespeare’s simplest characters‚ Iago. Within the first scene‚ Iago is introduced as the main antagonist. His purpose is to elevate himself and preserve his manhood through means of manipulation‚ as well as emphasizing the themes of jealousy and and race through his relationship with Othello. From the first scene‚ Iago reveals his amoral and egoistic nature. I believe that whenever Iago feels that his masculinity is being attacked‚ he chooses to manipulate
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In Act II‚ scene iii‚ there were many instances where Iago tells remarks of honesty‚ truth‚ and even lies. In order to get what he wants‚ Iago schemes many plans to get back at people he hates; Cassio and Othello. In order to get back at them‚ he uses many instances where telling the truth would benefit him in proceeding with his plans rather than being honest about them. For his plan‚ he gets Cassio drunk and gets Roderigo to infuriate him causing further problems. Once these problems arose
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development of the character of Iago and his manipulative and treacherous deeds. It is through Iago and his ways that he works gradually at destroying Othello‚ defaming Desdemona and deposing of Cassio. In this‚ we are able to see Iago’s spiteful scheme in which he creates havoc and seeks motives for his malice. A famous English poet‚ Samuel Taylor Coleridge‚ depicts Iago’s actions as “the motive-hunting of motiveless malignity This is seen in Act I and II as Iago seeks reasons‚ motive hunting to
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How is Iago presented throughout Othello and what do we learn about his motives? From the onset of Othello‚ the audience is unknowingly subject to Iago’s manipulative customs. Despite being a stereotypical Shakespearian antagonist‚ Iago is a complex‚ two faced‚ yet three dimensional‚ character. Despite being an eponymous play‚ suggesting Othello’s importance‚ his absence in light of Iago’s presence allows the audience to be influenced and therefore misled by Iago’s representation of Othello Iago
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“noble” who commits the most horrendous of sins‚ murder. * At the heart of these contradictions is a black man trying to fit into a white society‚ and it is these weaknesses and anxieties which result from Othello’s attempts at assimilation‚ which Iago manipulates to his own ends. * Othello’s feelings of insecurity are certainly not unjustified. Everyone around him‚ even the one he loves‚ still see him to be- and refer to him as- a moor. Indeed Desdemona herself admits that she “saw Othello’s
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