Act 1 scene 3 The supernatural atmosphere of scene one is recreated by the witches’ description of their evil doings and by their charm. Their power is limited; they cannot kill the sailor but they can make his ship meet terrifying storms‚ and the poor man’s life a hell on earth. This foreshadows the outcome of the witches’ influence on Macbeth. He too will‚ for example‚ deprived of sleep. The limitation of their powers is an important fact to keep in mind. Macbeth’s first words echo those
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Macbeth Comprehension Questions and Analysis ACT 2‚ SCENES 3-4 SCENE 3 1. Some people argue that the drunken porter segment is out of keeping with the rest of the play. What do you think? What is the porter talking about and how might these “ramblings” be important to the action that took place before? Would you cut the porter and begin the scene with Macduff entering at line 22 as some directors do? Explain your answer. 2. What is the importance of the lines spoken by Lennox (ll. 58-65)? How
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How does Iago manipulate Othello’s thoughts and feelings in Act 3 Scene 3? Responses should demonstrate a close knowledge of the text‚ taking into consideration language choices‚ strategic thinking and the impact of the strategies on Othello Act 3 Scene 3 is a key scene in the play whereby Iago’s deceptive nature is becoming not only more prominent‚ but more importantly‚ leading him to success in his plan. The readers are exposed to Iago’s duplicity but Othello is not – a heavy use of dramatic
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Closely analyze these seven soliloquies of Iago. You must show your understanding of Shakespeare use of dramatic structure and imagery as well as commenting on language value. Iago’s soliloquies give insight into his duplicitous nature. It gives usthrough dramatic irony and our privileged position‚ we come see that he is engaged in "double-knavery” (Act 1‚ scene 3) and not at all the "honest and true" Iago that others believe him to be. The audience would be amazed at the absolute faith that the
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dialogue sets the scene: It is past midnight‚ the moon has set‚ and the "candles" of heaven — the stars — cannot be seen. Symbolically‚ the airy lightness that greeted Duncan’s arrival at the castle in Act I has completely vanished‚ to be replaced by brooding darkness. In this opening scene of Act II‚ as in the later Porter scene‚ the audience feels momentarily suspended from the action but in no way removed from the intensity of emotion as the innocent Banquo and his son pass the time of night
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Shakespeare‚ Act I and II show the development of the character of Iago and his manipulative and treacherous deeds. It is through Iago and his ways that he works gradually at destroying Othello‚ defaming Desdemona and deposing of Cassio. In this‚ we are able to see Iago’s spiteful scheme in which he creates havoc and seeks motives for his malice. A famous English poet‚ Samuel Taylor Coleridge‚ depicts Iago’s actions as “the motive-hunting of motiveless malignity This is seen in Act I and II as Iago seeks
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Comment on the significance of Iago in Act 1 Scenes 1 and 2. Iago is presented as a vicious villain‚ and through his representation of evil‚ results in the surfacing of key themes such as light and darkness‚ racism‚ and rank and power. Thus‚ by carrying out the role as a villain‚ he highlights the animalistic traits evident within people of the Venetian society. Although Iago is a white man who holds a fairly high status within Venetian society‚ he is crude and uncouth‚ often swearing and making
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Narrator: The Merchant of Venice is set in 16th century Italy. Venice‚ a city of canals‚ at that time was a famous cultural and trading centre. Antonio is a leading merchant in the city. The scene opens on a street in Venice. (Enter Antonio‚ Salerio and Solanio from left side of stage. They walk up to the centre) Antonio: Truly‚ I don’t know why I’m feeling sad; It’s tiresome; you say you’re tired of it too. But I have no idea why I started feeling this way. And this sadness makes me lose
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The opening scene usually serves the purpose of an exposition and truly‚ what Coleridge pointed out‚ strikes a spiritual key-note. Shakespeare’s “Macbeth” is a tragedy of the triumph of evil: we are in a world of moral anarchy‚ symbolized by the withered beings‚ to whom " foul is fair ". In a drama‚ first impressions are lasting‚ and Shakespeare contrives to put the spectator in the right mood at once. The first scene‚ other than being expositional‚ establishes a mood or an atmosphere for the action
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IAGO’S MANIPULATION Iago cites multiple and incompatible motives for wanting to destroy Othello. Earlier‚ he said he hates Othello because "the Moor" passed him over for a promotion but‚ here‚ he tells us he hates "the Moor" because he’s heard a rumor that Othello has been hooking up with Iago’s wife‚ Emilia‚ "twixt [Iago’s] sheets." It’s just not clear whether or not we‚ as an audience‚ can believe anything Iago has to say. From beginning to end Iago moves the characters of Othello as if they
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