"How to read literature like a professor a lively and entertaining guide to reading between the lines" Essays and Research Papers

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    Chapter 22: He’s Blind for a Reason‚ You Know In Thomas C. Foster’s‚ How to Read Literature Like a Professor‚ Foster talks about blindness not only as a burden‚ but as a gift. He tries to convey to the audience that blindness in stories goes beyond physical meaning. He also talks about how to catch important details early in a story or movie. The three main points Foster asserts in this chapter are sacrifice‚ commonly missed word usage‚ and if you want something known‚ make it known early. One

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    In the twelfth chapter of Thomas C. Foster’s How to Read Literature Like a Professor‚ Foster analyzes symbols‚ and the great influences they have in literature. To begin the chapter‚ Foster compares and explains the differences between symbols and allegories. Symbolism is a broad category‚ and allegories fit under it’s immense hierarchy. Furthermore‚ symbols “involve a range of possible means and interpretations”‚ while allegories have single and specific answers (105). Foster continues by stating

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    Tim O’Brian and Thomas C. Foster are both fantastic authors. They both have written fantastic titles‚ The Thing They Carried ( By Tim) and How To Read Literature Like A Professor (by Thomas). Even though they were published in different years and different parts of the world‚ they still are very similar. One is about war and the other one on literature‚ but when examined you can clearly see religious influences in their writing. Oddly enough‚ they are influenced by many of the same ideas. In the

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    about this in his book How to Read Like a Professor: For about as long as anyone’s been writing anything‚ the seasons have stood for the same set of meanings. Maybe it’s hard-wired into us that spring has to do with childhood and youth‚ summer with adulthood and romance and fulfillment and passion‚ autumn with decline and middle age and tiredness but also harvest‚ winter with old age and resentment and death. (178) As a result of this‚ when someone reads the line‚ "I had that familiar

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    Journal Entries; AP Eng Ch: 1 In the first chapter of his book‚ Foster lays out the conventions for a quest‚ stating that in most literature‚ modern and classic‚ "every trip is a quest." the novel "the Help" by Kathryn Stockett is not perhaps seen by the unaware reader to be a quest‚ however as it details a journey‚ it can in actuality be broken down into the conventions Foster cleverly recognized: every journey or trip a story embarks upon follows a pattern‚ and that pattern is a quest.

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    How To Read Literature

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    first signed up for this class‚ I thought I would just be spending a semester reading my favorite childhood books to learn about the process of constructing a children’s book. I never would have thought that I would learn so much about how to analyze literature and choose books that would develop the cultural understanding of a child. Also‚ I didn’t realize how much I would have learned about my own experiences reading books. Everything I learned from this class I hope that I can apply to my everyday

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    Jania Grant Ms. Lisa Myers 10th Grade Honors Literature 14 August 2013 Almost everyone in their lifetime has either observed or read stories similar to those comparable to Star Wars‚ Huckleberry Finn‚ or even North by Northwest. These are stories of a quest‚ or voyage of discovery. The reason for a quest is always self-knowledge. Because of its self-knowledge a majority of the time questers are often young‚ inexperienced‚ and sheltered. There are five aspects or attributes to a quest.

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    How To Read Literature Like A Professor by Thomas C. Foster presents various ideas and methods that are applied in literature in a form of a guide. Many Ideas presented in the book can be found in other books. For example‚ The House On Mango Street by Sandra Cisneros uses concepts such as sex‚ geography‚ and symbolism to focus/describe other topics. In The House On Mango Street‚ the main character‚ Esperanza‚ describes the hairs of her family members. The way she describes her family member’s hairs

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    In the year 1897‚ Bram Stoker releases the crown jewel of the 20th century: his vampire epic Dracula. Ever since Dracula‚ Transylvania‚ and castles have been associative of vampirism‚ the world has become “bloody”. There are slight deviations to the novel‚ but the majority of them are fairly partial to the novel. Worldly views show Dracula as an old man with a new face. The inception of Bram Stoker’s Dracula has been the melting pot of the recreations and incarnations of the world’s deadliest‚ blood-sucking

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    book reminds me of how it’s important to get the most out of every book by closely analyzing it. Symbolism is very clear thought the text. This reminds me how deep meaning can be hidden within a text. Perhaps he is on a journey of his own; it is for his own self knowledge like Foster talks about. Passage from the book: “The real reason for a quest never involves the stated reason. In fact‚ more often than not‚ the questor fails at the stated task”. I think this is saying how it’s not necessarily

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