How To Read Literature Like a Professor Outline Chapter 1 – Every Trip Is a Quest (Except When It’s Not) Main Ideas: To have a quest‚ a novel must have A knight A dangerous path A holy grail An evil knight A dragon A princess The quest is always educational and provides knowledge of ones self Chapter 2 – Nice To Eat With You: Acts of Communion Main Ideas: It is a communion “Whenever people eat or drink together...” Breaking bread together is an act of sharing and peace
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How to Read Literature Like a Professor Essay By: Naomi Brooks Introduction How’d He Do That? Professors use memorization when reading a new book because they are always looking for correspondences between new and old books. Everything is a symbol until proven wrong‚ since symbolism is used when they are reading‚ thinking‚ and asking questions such as: is this an analogy‚ metaphor‚ or what might it signify? With time professors remember significant events‚ and patterns in novels
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beginning of time‚ and because of that‚ seasons have dominance over a novel that often goes unnoticed; by creating an atmosphere that readers can relate to. All seasons have certain aspects of life associated with them Thomas C. Foster writes about this in his book How to Read Like a Professor: For about as long as anyone’s been writing anything‚ the seasons have stood for the same set of meanings. Maybe it’s hard-wired into us that spring has to do with childhood and youth‚ summer with adulthood
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Journal Entries; AP Eng Ch: 1 In the first chapter of his book‚ Foster lays out the conventions for a quest‚ stating that in most literature‚ modern and classic‚ "every trip is a quest." the novel "the Help" by Kathryn Stockett is not perhaps seen by the unaware reader to be a quest‚ however as it details a journey‚ it can in actuality be broken down into the conventions Foster cleverly recognized: every journey or trip a story embarks upon follows a pattern‚ and that pattern is a quest.
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In the interlude and the eleventh chapter of Thomas C. Foster’s How to Read Literature Like a Professor‚ Foster analyzes the different effects violence has in literature. Firstly‚ Foster distinguishes that there are two different types of violence in literature. The first form of violence is when a specific injury is brought upon a character by themselves or another character through “shootings‚ stabbings‚ garrotings‚ drownings‚ poisonings‚ bludgeonings‚ bombings” and other harmful means (96). Contrasting
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How to Read Literature Like a Professor Introduction: How’d He Do That? Conventions in stories: Types of characters Plot rhythms Chapter structures Point-of-view limitations Chapter 1: Every Trip is a Quest (Except When It’s Not) The reason for a quest is always self-knowledge The stated reason is never the actual reason to go on a quest‚ the real reason for a quest is self-knowledge. Most of the time‚ when a piece of literature involves someone going somewhere and doing something‚ it
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Does everything in “How to Read Literature Like a Professor” match “The Hobbit”? Breaking down “The Hobbit” will help to further conclude what concepts it does and does not follow in Thomas C. Foster’s book “How to Read Literature Like a Professor” The first step in telling if “The Hobbit” t is a quest‚ is finding out if “The Hobbit” had a quester. A quester as explained by Thomas C. Foster is just a person who goes on a quest‚ whether he knows it or not.The quester in the hobbit is Bilbo Baggins
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In Thomas C. Fosters How to Read Literature like a Professor‚ Foster expresses how every story has a journey that someone or sometimes multiple people go on specific journeys. In Mary Shelley’s Frankenstein or The Modern Prometheus‚ the novel is based on exactly that‚ a journey. One journey is Victor Frankenstein’s quest for knowledge. Foster says that “The real reason for a quest is always self knowledge.” Victor Frankenstein is the perfect example of this; Frankenstein sets out on a journey to
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In the first chapter of Thomas C. Foster’s How to Read Literature Like a Professor‚ Foster discusses the five aspects of a typical character’s quest and alerts all readers that “when a character hits the road‚ we should start to pay attention” (6). To start out the chapter a rather dull scene is set of a young boy commuting to a store to retrieve bread for his mother. Foster reveals that the seemingly unimportant commute is actually a quest. It is determined that “a quester” (3)‚ a destination‚ an
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definition of a quester would be an individual that goes on a quest‚ or mission‚ in hopes of looking for something. However‚ in How to Think like a Professor by Thomas C. Foster‚ we are challenged to look at this term in a very different and mind stimulating way. Foster challenges our minds to look at quests as everyday things. Foster points out 5 aspects to every quest and how we can find these within everyday situations. These include; the quester‚ a place to go‚ said reason to go there‚ challenges
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