1. Hollywood movies affect national culture outside the United States because it leads people to stereo-type other cultures. Such as the stereo-type of Japanese people as robotic caricatures who mix there L’s and R’s and Bill Murry who played a character was taking a shower in a Five-star hotel and has to bend down to wash his hair in the shower but in reality their isn’t a five star hotel in Tokyo that hasn’t accounted for the varying heights of its guest. Some positive effects of Hollywood movies
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Sequels‚ reboots‚ and remakes are slowly ruining Hollywood. The increased flow of such films is caused by high overall monetary earnings‚ success in foreign countries‚ and a lack of new and creative ideas. The fact that sometimes remakes are successful is clearly shown with the remake of the Karate Kid in 2010. According to MTV News‚ during Karate Kid´s opening weekend‚ ¨(the movie) kicked its way to a first-place trophy worth $56 million‚ surpassing the movie’s production budget by more than $15
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Code‚ was a self-imposed system of regulation that explicitly and implicitly affected the themes‚ story lines‚ and tone of Hollywood films produced between 1930 and the 1960s‚ particularly with regard to the treatment of sexuality. In the years leading up to the popularization of sound cinema in about 1930‚ certain segments of the American public had come to believe that Hollywood films exemplified the decline of American moral values. In 1915 the U.S. Supreme Court ruled that the First Amendment did
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Lynda Obst is a seasoned film producer and book author. In her book‚ sleepless in Hollywood tales from the new abnormal in the movie business‚ she describes the problems associated with the modern movie business. According to Lynda‚ Hollywood is abnormal. The abnormal was undergoing a transformation from what it previously was to becoming a place where studios concentrate on foreign markets to make money. They forget to produce films that are not as entertaining as before. The studios are also producing
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The Hollywood studios’ systems in 1960 were very interesting because the Hollywood had to face the issue of its business structure changes. In 1960‚ the Hollywood studio systems had to change the strategies because of television and people’s demanding. In the 1950s‚ TV was invented‚ and most people bought it. Because of TV‚ many people began to stay home to watch movie instead of went to theater because TV companies got broadcasting rights from studios. In addition forging-films was imported by some
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The History of FESTIVAL CITY Festival City is a territory which holds a very significant place in Guyana’s history. Festival City was built specifically to house the delegates of the first ever Caribbean Festival of Arts (CARIFESTA) in 1972. Visiting guests and artists were accommodated at Festival City. A total of 250 houses were constructed out of Guyana’s world renowned Greenheart timber‚ in North Ruimveldt‚ Georgetown. The houses were furnished with Nibbee living room suites woven by Guyana’s
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* * * * Mae West and 1930’s censorship Nowadays‚ we probably take for granted that the majority of films created in Hollywood have no moral or content boundaries whatsoeverAlthough today the boundaries might seem a little blurred‚ it was not always like this. The censorship process in Hollywood films (as well as in many other media) is a process that has grown and fluctuated along with American society. Behind many of these films there have been struggles‚ debates‚ and confrontations
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Increasing Sales and Promoting the Frederick’s of Hollywood’s Brand Image Prepared by Ellen Fraser Director of Marketing Submitted to Carol Davis CEO‚ Frederick’s of Hollywood May 15‚ 2011 Abstract The following report discusses Frederick’s of Hollywood’s position in the intimate apparel industry and how it has continually decreased since our main competitor‚ Victoria’s Secret‚ entered the market. It will discuss our company’s history leading up to where we are now and what issues
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In The essay‚ "Social Implications in the Hollywood Genres"‚ Jean-Loup Bourget discusses what is implied about social groups in movies. In the last paragraph of the essay‚ Bourget asks "Must American society be like this? Must the Hollywood system function like this?" (57). Bourget actually answers these questions within his essay and I agree with his interpretation of the complexity of films‚ especially in regards to context meaning and the meanings implied by techniques. Bourget describes several
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story. Coming straight out of Hollywood is their own version of Beowulf‚ their own description of his legacy. This begs the question‚ why did Hollywood alter their story to the extent that they did? The preliminary reason Hollywood would change the story is that it simply needed a face-lift. Provided that fact‚ we must acknowledge that it would very difficult or even impossible to appeal to 21st-century adults simply based off of scripts from the 11th-century. Hollywood had to add in more modern elements
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