TO BE OR NOT TO BE An Analysis of Hamlet’s Famous Soliloquy Hamlet’s soliloquy begins with what must be the most famous line in the English canon: “To be or not to be.” For the character at that moment‚ it is an important question‚ literally one of “life and death”‚ but the general terms in which it is phrased gives it a resonance that reaches out past Hamlet. Hamlet poses the question on the most metaphysical level – not “shall I kill myself?”‚ nor “can I live like this?” but “to be or not to be”
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Hamlet ’s Soliloquy - To be‚ or not to be Hamlet ’s "To be‚ or not to be" soliloquy is arguably the most famous soliloquy in the history of the theatre. Even today‚ 400 years after it was written‚ most people are vaguely familiar with the soliloquy even though they may not know the play. What gives these 34 lines such universal appeal and recognition? What about Hamlet ’s introspection has prompted scholars and theatregoers alike to ask questions about their own existence over the centuries?
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TO BE‚ OR NOT TO BE SOLILOQUY Hamlet’s To be‚ or not to be soliloquy is explores the notions of existence through a philosophical evaluation of bearing through ‘the whips and scorns of time’ and an examination of the ‘sleep of death’ after one finishes their time on earth. The use of pronouns ‘we’‚ ‘us’ and ‘who’ insinuate that this debate as an impersonal reflection rather than an emotionally driven deliberation to end his life. The themes and notions of death‚ religion and fate are explored through
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Throughout Macbeth‚ Lady Macbeth appears in nine scenes‚ seemingly rational and in control of herself‚ although rather obsessed with gender roles in relation to power. Her preoccupation with masculinity and power is exemplified in her soliloquy‚ as she speaks of “fear[ing] [Macbeth’s] nature”‚ because it is too full of “human kindness (I.V)”. Lady Macbeth believes that her husband would be too afraid to act‚ and uses this to play on his fears: “Art thou afeard/To be the same in thine own act and
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Kersten Heidel February 17‚ 2013 English 4 Period 1 Hamlet and The Catcher in the Rye Summaries and Backgrounds In William Shakespeare’s play “Hamlet‚” a young Prince comes back home when he finds out about the death of his father. When he arrives‚ a few of his friends that the ghost of his father has been wondering the kingdom and that they tried to talk to it‚ but it would just disappear. Hamlet also is made aware that his mother‚ Gertrude‚ and his uncle‚ Claudius‚ his father’s brother‚ have
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1. How does Hamlet feel at the beginning of the soliloquy? At the beginning of the soliloquy Hamlet is clearly quite depressed and even suicidal. This is evident from the heartfelt plea that makes to die “O! that this too too solid flesh would melt”. Hamlet is painfully aware however‚ that his flesh is indeed solid and sturdy and shows no sign of melting into “dew” however much he desires it. It is obvious that Hamlet resents the “Everlasting” God who “fixed his canon against self-slaughter”
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Script Analysis Hamlet Analysis Part I: Tracking Events‚ Trigger to Heap… Ghost appears and then leaves Horatio decides to tell Hamlet about the ghost He tells Hamlet about the ghost Hamlet decides that he wants to see the ghost Hamlet sees the ghost Hamlet follows the ghost Ghost tells Hamlet about his death Hamlet decides to get more information / prove what the ghost was saying before doing anything about it Hamlet swears his friends to secrecy about what the ghost said and
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These soliloquies show a clear development in the character of Macbeth. They are used throughout the play‚ and are very important in the understanding of the play. The first two soliloquies show Macbeth’s through process and opinions on what course of action to take before he kills Duncan. The following two soliloquies show his thought process after he is committed to killing Duncan‚ and much of his hesitation in doing so. These soliloquies are key to the story‚ and if we didn’t have they the play
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Throughout his soliloquy at the end of Act 2‚ Scene 1‚ Iago makes various attempts to evade accountability for his malicious lies and actions towards the other characters in Othello in order to clear his conscience of his crimes. He begins his soliloquy by positing “that Cassio loves her‚ I do well believe it‚/That she loves him‚ ‘tis apt and of great credit” (Shakespeare 2.1.284-285). Obviously‚ Iago knows that Cassio and Desdemona are not actually having an affair because he is the one who invents
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Hamlet has just fought with Gertrude and Claudius‚ and has decided to stay home‚ as opposed to going to college. Claudius told Hamlet he was not allowed to go‚ and Hamlet decided to stay for his mother. The‚ “O‚ that this too too solid flesh would melt…” soliloquy reveals the first thoughts of death that Hamlet has within the play. Not much has happened‚ but the King and Queen are married‚ and the ghost has been seen. As the first soliloquy‚ this is the first insight into Hamlet’s state of mind that
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