research seeks to compare and contrast the following paintings by; Titian’s‚ Venus of Urbino. 1538‚ Edouard Manet’s‚ Olympia. 1863 and Lucian Freud’s Naked Portrait (Kate Moss). 2002 by looking at “The Idealised Body” in relation to the issues of “gaze‚ looked-at-ness‚ voyeurism‚ objectification as well as notion of the woman as an object of pleasure for a male viewer by the male artist. These works are all painted on different times‚ Titians painting was painted during Renaissance period as in the
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P‚ 1993) discusses the relationship between the city‚ modernism‚ film and architecture. Throughout this essay‚ I will relate her ideas of modernity particularly in the mobilized gaze ’ and commodity-experience ’ to Jacques Tati ’s film Mon Oncle (1958). Anne Friedberg ’s ideas of modernity in the mobilized gaze ’ and commodity experience ’ as well as the reversal of public and private spaces can be inexorably applied to Mon Oncle (1958). Their interconnectibility‚ and Friedberg ’s ideas
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When viewers gaze upon Diego Velázquez’s Las Meninas (painted in 1656)‚ they can experience the avant-garde aura of its time as the Baroque painting displays both candidness and movement. In the way that Velázquez painted his work of art‚ Las Meninas can be classified as Baroque Naturalism (Stratton-Pruitt 5)‚ suggesting influence from Caravaggio who painted with realism and strong chiaroscuro (“light-dark” spotlighting tones). The shift from Mannerism to Baroque developed a thematic motto for artists
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particular‚ were videotaped and utilizing computer-assisted image analyzing techniques the pair were able to collect data on and compare several facets of the external structures of the primates’ eyes. These included the way the gaze direction varied in different species‚ and how the gaze direction correlated with the numerous body sizes and habitat types attributed to those specific primate species. They also looked at the ratio of horizontal scanning to the frequency of vertical scanning as well as duration
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become stored into the person’s long-term memory. Bayliss‚ Bartlett‚ Naughtin‚ and Kritikos (2011) completed a study about gaze perception and how it affects the social attention from one person to another person. Bayliss‚ Bartlett‚ Naughtin‚ and Kritikos (2011) stated‚ “the
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this impossible gaze when it shows one thing to have a purpose or any given meaning---this could be an event or some action‚ but‚ in entirety‚ it’s for another purpose. The tale portrays babies collectively living on an island together looking back‚ saddened‚ on how their parents left them behind. However‚ these babies had been born into an alternative universe‚ having been born on the island and they have no idea about their parents and that they were left behind. This impossible gaze is vaguely impossible
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viewing is for the male audience and have accepted the fact that what men wish to see over powers what the actual female fans would enjoy viewing. She goes on to point out how this is another “imbalance of power contained within the structure of the male gaze” (89). The critical awareness of the messy gender politics displayed in Grease and many other musicals do not have to take away from the actual enjoyment when
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CONTEN TS • Introduction • Emotion mouse • Emotion and computing • Theory • Result • Manual and gaze input cascaded (magic) pointing • Eye tracker • Implementing magic pointing • Artificial intelligent speech recognition • Application • The simple user interface tracker • conclusion Introduction :Imagine yourself in a world where humans interact with computers. You are sitting in front of your personal computer that can listen‚ talk‚ or even scream aloud. It has the ability to gather information
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By analyzing this poem we as the reader are following Strephon a delusional young man as he gazes and rummages through the discarded soiled belongings and paraphernalia of his mistress‚ the Lady Celia’s empty chamber after she had spent five hours getting prepared for an evening out. Strephon who holds Celia on a pedestal and fantasies’ that he is her lover‚ gradually becomes disillusioned as he begins to discover that she like him is filthy as sifts through dirty clothes and underwear‚ snot covered
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Vanessa Beecroft’s work is a self-reflection on her obsession and control of the human body and the way in which women are viewed in modern society and how they feel about being viewed at. Beecroft concentrates on the more confrontational aspect of her work that analyses the connection between the audience and the performers. Food is also an important topic in her work as Beecroft suffers from a type of bulimia which compulsively makes her want to burn off calories through vigorous exercising‚ this
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