Introduction to Music Exam 5 Study Guide The Romantic Era/19th Century The Romantic Era Chapters to know: part 5‚ chapters 27‚ 28‚ 33‚ 34‚ 37 Listening: chapters 27‚ 28‚ 33‚ 37 Romantic ppts under “course content” Composers to know: Beethoven – (1770-1827) German piano virtuoso and composer that lived in Vienna Austria. He began going deaf in his late 20s which caused him to withdraw from society. By the time of his death he was a national hero. Schubert – (1797-1828) An Austrian
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Symphonie Fantastique: The Hopeless Romantic ’s Guide to Nineteenth Century Program Music 1 Inspired by the great philosophers‚ poets and storytellers of his day‚ Berlioz was one of the first composers who sought to merge drama and music into a single genre through the medium of his own creative and highly innovative soundscape. The result was a five movement orchestral masterpiece that is to this day still considered one of the most revolutionary works of the 19th century. The Symphonie
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Symphonie Fantastique‚ Hector Berlioz By carefully listening to the first movement of the symphonic work‚ this could be a work all on its own. Berlioz really did a fantastic job by incorporating all the sort of feelings a man in love gets by seeing the love of his life for the first time. “Reveries – Passions” is the title of the first movement‚ which depicts the feelings of tenderness‚ sad‚ crazy‚ and passionate‚ all through this one device‚ idee fixe. The idee fixe technique is used to bring out
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Franz Kafka is considered by many to be one of the most prominent and influential writers of the twentieth century (Votteler 204). Many of his works‚ mostly short stories‚ met with critical acclaim only after his death in 1924. His stories usually present ? a grotesque vision of the world in which alienated‚ angst-ridden individuals seek to transcend their tormented condition? (204). One critic has referred to him as ?the classical painter of the estrangement of modern man? (Czermak 7). It is in
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What do the novels “Metamorphosis” by Franz Kafka and “The Outsider” by Albert Cammus say about social conformity? “Metamorphosis” is a novel written by Franz Kafka in 1912. It is set at an unknown European city at the same time it was published It narrates the story of a typical salesman of in an industrialized society who wakes up one morning transformed into a giant cockroach. The novel tells about how his family deals with this event‚ and how Gregor (the salesman) eventually dies. “The outsider”
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* The Metamorphosis * Author: Franz Kafka (1883-1924) * Major Characters * Gregor Samsa – The main character in the story. He wakes up to find himself turned into a a large bug/roach. He is a travelling salesman and hates his job. However‚ he must work to support his family. He wishes to send his sister to violin school but must face the reality that he is an insect * Grete – Gregor’s loving younger sister. After his transformation‚ she takes care of him. She is a very talented
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before his eyes." Gregor Samsa has gone through a metamorphosis. This change has turned Gregor into a "monstrous vermin". The anxieties‚ inner terrors‚ and cynicism‚ which fill Gregor’s life‚ are expressed by Kafka throughout the novel‚ metamorphosis. Franz Kafka uses these feelings as an element of Expressionism to convey Gregor’s attitudes towards his life and society. Examples depicting this element of Expressionism used in the novel are Gregor’s feelings towards his job‚ the effect his job has on
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"Each character is an allegory for every aspect of human existence" -Vanna Bonta. In Franz Kafka’s "Metamorphosis"‚ there’s a strong allegory between the story and those people announcing their sexual orientation. After waking up to discover he is a bug and cannot speak‚ Gregor’s family shuns him because they don’t understand him. With his parents struggling to accept his new identity‚ he endures abuse. The "Metamorphosis" is a metaphor for many psychological events like physical abuse‚ willful blindness
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FLYING Inspiring Youth COLOURS Fostering Intellect English Language Club The Bridge Franz Kafka I was stiff and cold‚ I was a bridge‚ I lay over a ravine. My toes on one side‚ my fingers clutching the other‚ I had clamped myself fast into the crumbling clay. The trails of my coat fluttered at my sides. Far below brawled the icy trout stream. No tourist strayed to this impassable height‚ the bridge was not yet traced on any map. So I lay and waited; I could only wait. Without falling‚ no bridge
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world; work and acquaintances progress along without him‚ and his family shuts him away as if he had never existed. But despite the authorʼs frequent superficial focus on Gregor Samsaʼs physical aspect‚ it is fundamentally the mental breakdown which Franz
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