CHOPIN: ETUDES OPUS 10 Some composers write music because it is their passion; some write just to earn money. Some‚ like Mozart‚ write with ease; but some‚ like Beethoven‚ write with great difficulty. Different composers compose from different impulses. Many times‚ when we listen to a piece of music‚ we do not think of its background and the influence it has made to future generations. For example‚ Carl Czerny’s The School of Velocity was written for the sole purpose of improving finger technique
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and authority figures around the world‚ every individual has a unique set of moral values and ideas of what is “right.” As a result‚ one may develop an idea of justice that seems corrupt to someone who is familiar with a different system of laws. Franz Kafka presents this scenario in his short story‚ “In the Penal Colony.” The officer of the penal colony believes that justice is the fulfillment of what is morally right through the violent punishment of all persons suspicious of breaking the law.
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The Loss of Humanity Language forms the basis of civilization. Without language there can be no memory‚ no culture‚ certainly nothing as complex as social structure or humanity. In Franz Kafka’s‚ "The Metamorphosis" the protagonist‚ Gregor Samsa‚ loses part of his speech faculty. In fact‚ he turns into a bug and‚ as his capacity for language slowly deteriorates even his mind and personality begin to seem less human. Gregor’s transformation obliges the rest of his family to change‚ in order to support
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The Metamorphosis is the story of a commercial traveler‚ Gregor Samsa‚ that one morning awoke turned into a gigantic insect. It is no dream but‚ simply and plainly‚ a real metamorphosis with no rhetoric in between. Facing this incredible fact‚ Kafka does not do any realistic concessions and keeps the new condition of the character to the end. That makes of The metamorphosis a hard work of fiction‚ in the way of Odyssey (with which‚ besides‚ it is closely related) or in the way of
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Magic realism was first used in 1925 by a German critic Franz Roh. The term defines an artistic genre mixing both magical and realistic elements. Most writers using magic realism set their stories in a "normal" (realistic) world where magical events occur. Sula‚ Toni Morrison’s second novel‚ is not exclusively devoted to the magic realism style. However it is a good illustration of the writing evolution of the author. Sula seems to be an introduction to Morrison’s work on magic realism. The following
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The Language of Metaphysics in Der Proceß and l’Etranger Before their premature deaths‚ Franz Kafka and Albert Camus both wrote three novels‚ each conveying the authors’ views or philosophical ideas‚ whilst remaining true works of art. Often too much emphasis is put on the philosophies of the authors’‚ to the point where it detracts from the literary merits of the texts. These two novels in particular are hailed for portraying central characters with economy and skill; which in turn allows
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play are to deliberately create a non-natural environment (coral speech). Practitioners Before reading the text Metamorphosis we as a group did some background research on the play and I had found out that the original play was created by Franz Kafka a German writer. Originally Kafka wrote this play so that is could reflect how he was feeling at the time as he felt that society looked down on him as an inferior being not even a human which is why In the play the family representing society
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The Artist and His Audience In order to begin to understand Franz Kafka’s metaphorical and ambiguous short story "A Hunger Artist"‚ most readers will more than likely have to read it more than once. Although the successions of events that make up the story are quite uncomplicated and obvious‚ the overall meaning of what is going on seems to elude the reader. What does stand out is the complicated relationship that the hunger artist has with his audiences. Kafka’s story is about a man who is
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A representational style is natural objects in recognizable forms and many might misinterpret the Blue Horse I as representational. However‚ Franz Marc’s oil painting cannot be: representational because although the viewer can tell there is a horse in the painting‚ but horses cannot be blue; nonrepresentational because the image refers to something in the natural world; or realism because this
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Elbaum‚ Alexandra. "Kafka and Freud." Blogging at Queens College. Web. 04 Nov. 2010. <http://blogs.qc.cuny.edu/blogs/dreams/aelbaum/>. Freud‚ Sigmund. (1968). The Interpretation of Dreams‚ Volume V. 1900-01. London: The Hogarth Press. Kafka‚ Franz‚ and Nahum Norbert Glatzer. "The Metamorphosis." The Complete Stories. New York: Schocken‚ 1983. 89-139. Print. Steinfeld‚ Gabriel. "Why Kafka Only Uses Fantasy in The Metamorphosis." Arts and Entertainment (2007). Web. 3 Nov. 2010. <http://www
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