The Subject and Power Author(s): Michel Foucault Source: Critical Inquiry‚ Vol. 8‚ No. 4 (Summer‚ 1982)‚ pp. 777-795 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1343197 . Accessed: 26/09/2011 07:49 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars‚ researchers‚ and students discover‚ use‚ and
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Erving Goffman. The Presentation of Self in Everyday Life Review by J R Erving Goffman has completed a wonderful presentation of human behaviour and face-to-face interactions‚ of a first meeting between two people‚ who may or may not have an audience. The use of a theatrical performance to explain the interaction was indeed an ingenious idea that kept me intrigued until the very end. This book was written in 1959 but its referencing to human behaviour is still very much relevant to today’s life
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care as the confession of it was more important‚ requiring a stricter ritual and promising more decisive effects)?” History of Sexuality‚ Scientia Sexualis (pg. 61) Based on the above quote from Scientia Sexualis‚ in The History of Sexuality‚ Foucault writes about the nature of secrecy and confession in terms of sexuality. The first sentence explains that‚ “from the Christian penance to the present day‚” the concept of sex is one in which people keep to a confessional manner. Throughout history
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his words would have almost 300 years later in the writings and theories of Ervin Goffman. Despite being from different eras‚ both Shakespeare and Goffman share a mutual consensus that individuals do not always act the same depending on the conditions that are present. Instead‚ individuals are all subject to portray different roles in order to maintain their desired depiction. The following concepts developed by Goffman have remained relevant to this day and are still applicable in society. As such
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Goffman’s The Presentation of Self in Everyday Life‚ he introduces what is to be called the dramaturgical approach. He used the theatrical representation of stage‚ actors and audience to observe and analyze the complexities of social interaction. Goffman’ article
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Michel Foucault wrote a book called History of Sexuality. In Part five of the book Right of Death and Power over Life‚ he discusses about the historical “Sovereign Power” where one is allowed to decide who has the right to live and who has the right to die. The sovereign uses his power over life through the deaths that he can command and uses his authority to announce death by the lives he can spare. Foucault then moves on to Disciplinary Power where he came up with the “Panopticon” where one
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Foucault ’s Las Meninas and art-historical methods. Michel Foucault ’s study of Velazquez ’s Las Meninas (1) was first published in the volume Les Mots et les choses in 1966 which was followed‚ in 1970‚ by the English translation titled The Order of Things. In "Las Meninas"‚ which is the title of the opening chapter of The Order of Things‚ Foucault focused on the artwork itself as though it were before him‚ describing in extraordinary detail what he saw. His seemingly unobtrusive actions--looking
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Student I.D. 25822123 3. Foucault in Contemporary Theories Our bodies are connected to essentially all aspects of our lives. We utilize them to survive and function on a biological and social level. It is no wonder there is abundance of theories concerning embodiment. One key philosopher that has influenced theories concerning embodiment is Michel Foucault. By putting the body into focus‚ he has decompartmentalized power dynamics concerning the body‚ state‚ and society. He suggests power does not
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Goffman’s Dramaturgical approach theory was inspired by William Shakespeare’s writings in which Shakespeare say’s “totus mundus agit histrionem‚” which are Latin for “All the world is a theatre”. In his theory‚ Goffman views individuals as actors in society where “interactions are viewed as performances” (Barnhart‚ A.D.‚) the individual attempts to create an impression on the world in which these impressions “exist regardless of the mental state of the individual” (Barnhart‚ A.D.‚) meaning‚ how the
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the truth also changes. It means‚ Foucault’s discourse is related to the production of any information that provides knowledge. Once the discourse is created‚ knowledge about some aspect of life is provided. Thus knowledge helps create truth. But‚ Foucault himself admits that such truth is neither true nor false. The power is generated in society by producing the discourses‚ and by constructing truths. Such power is creative. Marxist power is just political and economic whereas Foucauldian power
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