Formal Analysis July 28‚ 2013 ARHA 2305 The Dancing Bacha (1926) by Alexander N. Volkov pencil on paper Viewed at Arkansas Arts Center permanent collection (July 15‚ 2013) Scene of an Uzbekistani Teahouse Alexander N. Volkov’s piece entitled The Dancing Bacha is a drawing of a gathering of males‚ featuring a dancing boy (the bacha) who often performed in the streets of pre-Soviet Central Asia.1 The piece was made in 1926 and most likely depicts a traditional teahouse in Uzbekistan. 2
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early images of a human. She represents what use to be the “ideal woman” with her curvy figure and the emphasis on fertility seen in the features of her sculpted body. This paper will analyze the Venus of Willendorf sculpture in terms of its formal analysis. Most of the information about the Venus of Willendorf is based on scientific research and theory because there is no actual documentation that dates back as far as the sculpture. The Venus of Willendorf was sculpted long before any type of
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Jessica Tang Formal Analysis Richard W. Hill Melanie Wilmink FA/ARTH 1900 Tutorial 12 “HILLTOPS” BY FRANKLIN CARMICHAEL FORMAL ANALYSIS Franklin Carmichael’s “Hilltops” is a 25.4 x 30.4 cm oil on panel painted in 1943 located in the Art Gallery of Ontario. The painting is a depiction of a landscape consisting of rolling hills in the foreground and middle ground and sky with an overcast of clouds. Carmichael used flat areas of colour‚ bold horizontal lines‚ and simplification of objects that
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Formal Analysis of Art Formal Analysis of Art The Starry Night by Vincent Van Gogh is consistent of his typical artwork. He uses the lines free and loose making it an expression of his contour lines. The spacing between the stars and the curving contours making it a dot to dot effect. Van Gogh’s‚ The Starry Night” portrays his personal emotion. He writes to his brother about his painting almost as if he would be confused himself about the painting. The village is dark but at the same time
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Mona Lisa - Leonardo Da Vinci Leonardo da Vinci worked on his masterpiece over a period of 20 years. He carried it with him everywhere. The enigmatic smile has captured the imagination of the world. I love this painting because it is very human‚ but also gives a glimpse of the world beyond‚ the transcendental. Artist | Leonardo da Vinci | Year | c. 1503–1519 | Type | Oil on poplar | Dimensions | 77 cm × 53 cm (30 in × 21 in) | Location | Musée du Louvre‚ Paris | Creation of Adam - Sistine
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Oil Painting The oil painting technique traces its roots all the way back to a time between the fifth and ninth century when it was first used in Western Afghanistan‚ yet it was made famous and the premier means of expression by the Renaissance movement in the 15th century by men like Leonardo Da Vinci and Raphael (Davide 46). The reason the oil painting technique gained this newfound popularity was due in large part to its ability to convey things such as human flesh more accurately while also
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Analysis on the Relationship Between Poetry & Painting An analysis on the relationship between poetry and painting Lope De Vega‚ in one of his sonnets‚ refers to two famous contemporaries in a striking way; he calls the Italian poet Marino “a great painter for the ears” and the Flemish painter Rubens “a great poet for the eyes”. Six hundred year and 6000 miles away‚ a similar concept occurs in a parallel situation. The Chinese poet Su Shi‚ in one of his poems‚ praises two men
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Drawing to Painting Roxann K. Ames Arts/230 March 3‚ 2014 Angela Brasser Drawing to Painting Raphael was known for sketching his works before actually painting them. For the Alba Madonna he had as many as forty-eight sketches. Late in the fourteenth century paper was used more so that artists could explore ideas they had for design that they would later paint or sculpt. This exploratory drawing gave a quick look that was both vivid and intimate of the artist’s creativity to put their thoughts on
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Paper (Formal and Contextual Analysis) Feiran Zhou ART 101: Ancient and Medieval Art Professor David Areford 11/29/2012 The Comparison of Roman Art and Egyptian Art Art has existed since thousands years ago. It has existed in many different ways‚ in different places and styles. Art is influenced by different cultures. Different cultures have their own ways of seeing the art. Art is created by different beliefs. Different beliefs create art for different purposes.
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Shannon Moore Assignment 1: Formal Analysis Flemish painter Rogier van der Weyden’s The Descent from the Cross created in approximately 1435‚ is a very beautiful painting representative of the Northern Renaissance Period in Museo del Prado‚ Madrid. The Descent from the Cross is oil on panel painting which is 7ft 2 5/8inches by 8ft 7/8inches. The Descent from the Cross depicts the crucified Jesus being lowered from the cross. Weyden’s painting‚ The Descent from the Cross seems as if it was painted
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