FINDING NEMO JUST GOT HARDER The tale of a clownfish that got lost at sea in the 2003 movie -“Finding Nemo” might just come true to the delight or sadness‚ it depends how you look at it‚ for our young marine fans - as rising carbon dioxide levels and climate change could basically leave the fish unable to find their way around according to recent studies. Now‚ the world’s oceans soak up vast quantities of carbon dioxide released by burning fossil fuels. By absorbing the gas‚ oceans become more
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Sources used as related texts for belonging - mina mirzakhani 1) Name of Source – Wild Child (2008 film) Name of Composer – Nick Moore Brief Synopsis - In a wild prank with her friends‚ Poppy Moore ruins all her father’s girlfriend’s belongings. When her father angrily arrives‚ he tells her that he is sending her to boarding school in England. How it relates to Belonging – Poppy doesn’t belong in her normal affluent teenage life in California and gets sent to a posh all girls school in England
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latest animated movie‚ "Finding Nemo‚" an emboldened Pixar is bargaining hard over a new film-distribution agreement with its partner‚ Disney‚ while weighing offers from other studios. "Finding Nemo" is the highestgrossing movie in the U.S. this year‚ with projected domestic box-office revenue of more than $335 million. "Nemo" is expected to generate over $1 billion of revenue after international distribution and video sales‚ netting about $500 million in total profits. "Finding Nemo" is the latest in
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Biography- Ellen DeGeneres Birth: “For me it’s that I contributed… That I’m on this planet doing some good and making people happy. That to me is the most important thing‚ that my hour of television is positive and upbeat and an antidote for all negative stuff in life.” This was written by Ellen Lee DeGeneres who was born on January 26‚ 1958 in Metairie‚ Louisiana‚ a suburb of New Orleans. She was born to Elliot and Betty DeGeneres‚ and has an older brother‚ Vance DeGeneres. Her father was
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gender identification with gender roles within Pixar films is raised. Considering gender barring factors‚ the author expresses the lack of consideration for such roles as being an importance for the men behind Pixar. Using Pixar’s films Toy Story‚ Finding Nemo‚ and Monsters Inc the author captures the minor screen time
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typically dead. A prime example of this is Beauty and the Beast. The author goes on to talk about that not only are the mothers dead but the fathers then take over as the mother and father‚ in some of the stories. Boxer’s example of this is the movie‚ Finding Nemo. After Nemo’s mother was brutally eaten by a barracuda in the beginning of the movie‚ Marlin (Nemo’s father)‚ morphs into Nemo’s ideal parent as he fights sharks‚ battles a scary fish from the depths of the ocean‚
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Movies of all genres‚ ranging from Gattaca to Star Wars to Finding Nemo‚ all have something in common; they all had a science consultant to help filmmakers get the science part of their fictional world right. In this chapter of Kirby’s book Lab Coats in Hollywood: Science‚ Scientist‚ and Cinema he argues the strong connection that exist between the cinema/filmmakers and science institutions/communities. In a world where science meets fiction it is important that the science is accurate to the highest
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I strongly disagree with Fowls comments. He believes that Disney is taking over children’s lives and that it reinforces a simplistic and narrow view of life. I do not believe that this is correct. Every little girl wants to be a beautiful princess and every boy‚ a big‚ strong man‚ who fights off the bad guys. These are just dreams though and we want to give our youth something to believe in. I also believe that Disney is only entertainment. If it was half as bad as Fowl has made it out to be‚
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has jagged teeth that look similar to needles. It attracts prey with its luminous dots on its stomach. In Finding Nemo There is a scary fish deep in the sea with a light dangling on its head to lure prey. Well this alien you saw is actually real‚ it is
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of fairy tale and linked predominantly to the plotline of maturation within romantic comedy‚ the theme of wild nature forms the very heartland of Disney’s animated features from their inception in Snow White through to recent films such as Finding Nemo and Brother Bear. Not all of Disney’s animated feature films focus centrally on wild creatures or natural environments‚ of course. Indeed this provides a useful principle of exclusion‚ enabling the films considered in detail in this study
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