Feminist and Lesbian Film FILMS STUDIED: Mädchen in Uniform (Children in Uniform) Germany‚ 1931‚ Directed by Leontine Sagan‚ Show Me Love (Sweden‚ 1998)‚ Directed by Lukas Moodysson The cycle of free expression followed by total persecution experienced by members of the homosexual community as a whole‚ before and post World War 2‚ was a symbolic and strengthening experience for Lesbian and Feminist film makers alike. It is now a time of freedom in Europe‚ where filmmakers are establishing
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writings and examples from his films outline his ideas about film montage ’ and its role in shaping audience responses. You should include analysis of at least one segment from Eisenstein ’s films Sergei Eisenstein ’s theories‚ and practical realisations‚ of film montage serve to create a foundation on which Eisenstein‚ and many other filmmakers‚ have been able to build an understanding of the nature of film production. It is through Eisenstein ’s intellectual theories that he is able to link every
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Midnight in Paris Analysis The Oscar-winning film‚ Midnight in Paris‚ written and directed by Woody Allen uses cinematic techniques to create a world of fantasy and reality. Throughout the film‚ reality and fantasy are constantly paralleled. This film succeeds because of the elements Woody Allen uses to juxtapose the main character‚ Gil Pender‚ sense of reality and fantasy. Elements such as mise en scene‚ costume design‚ the auteur theory‚ and the screenplay writing all work in conjunction to
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MAC 170: INTRODUCTION TO FILM STUDIES ASSIGNMENT ONE – FILM ANALYSIS FILM CHOSEN: Blade Runner (1982) EXTRACT: INT – Sebastian’s Building‚ starting with the shot of Deckard climbing up the wall. Duration: 9 minutes (Chapter 30‚ Blade Runner: The Final Cut‚ 2007) The following essay will be a close analysis of an extract from the 1982 film Blade Runner‚ which was directed by Ridley Scott. Blade Runner is a science-fiction film based on the book ‘Do Androids Dream of Electric Sheep’ which
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Femme Fatale: Feminism versus Patriarchy as portrayed in the movie Chocolat The 2000 film‚ Chocolat directed by Lasse Hallström is not only another food-film in the rows of Hollywood movies but a film that embodies the taking hold of feminism in a patriarchal and repressed society. Set at the fictional‚ repressed village of Lansquenet-sous-Tannes‚ Chocolat tells the story of a young mother‚ played by Juliette Binoche‚ who arrives with her six-year-old daughter and opens La Chocolaterie Maya
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Outline and assess feminist views of media representations of gender [50] Feminism is a theory that is united in opposing patriarchy‚ which means a system of male power and rule that implies the subordination of women; but the various strands within feminism offer different overviews on gender inequality in media representations. For example‚ liberal feminists tend to be more optimistic about the possibility of change in media representations of gender; whereas radical feminists see little change
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The Structure of Myth and the Structure of Western Film Based on Saussure (1974)‚ structuralism is a theoretical method derived from his theoritical work. He divides language into two component parts which together produce a third (signifier‚ signified and meaning). According to him‚ meaning is produced through a process of combination and selection. As Saussure insists‚ “In language‚ there are only differences without positive terms… language has neither ideas not sounds that existed before
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FILM THEORY 2283 21ST March‚ 2011 Sin City: Is it Film Noir? Controversial topics are brought to the table when speaking of Hollywood film Sin City. The story line appears to be set in the 50s and follows three protagonist characters that are all linked through their femme fatal characters. The filming technique displayed brings rise to the question of whether the movie is film noir or not. Numerous characteristics found in other noir films are traced out in the motion picture. Sin City proves
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Introduced in the late 1940’s‚ the word auteur‚ is a french word for ‘author’ which is commonly applied to film directors who portray a personal and unique theme or focus element displayed in most of his movies. Auteur theory first originated in a French film magazine discovered by well respected French film critic and theorist‚ Andre Bazin‚ together with other film critics‚ such as Jacques Doniol and Joseph-Marie Lo Duca. You can call it a signature style for these types of directors‚ because they
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The material body of a film is the combination of cinematography‚ mise-en-scene‚ editing and soundtrack. These elements are what construct the images we see and sounds we hear. Balancing them is key and excluding any leaves disjoint and confusing narratives. This essay will examine the material body of The Matrix and how key elements shape narrative and character. Often confused with cinematography‚ mise-en-scene is what we see‚ not how it is shown to us. Editing is how these images are strung together
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