"Fabric softener" Essays and Research Papers

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    Stella McCartney

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    Stella McCartney 1. Stella McCartney is a long-life vegetarian and an animal rights activist‚ which is evident in her designs as she does not use any leather or fur in her designs. Stella’s style is elegant and feminine‚ but her style also involves power dressing‚ with womens suits‚ stiff jackets and feminine lingerie. Her designs focus heavily on emphasising strong prints such as leopard and floral. There is a feminine‚ schoolgirl touch to her designs‚ as she includes loveheart prints and lips

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    Bhakti Patel Fine arts Visual Dr. Snider Essay Christo and Jeanne Claude’s were American’s. They are environmental sculptures‚ noted for their contentious outdoor sculptures and enormous displays of fabrics and plastics. Christo and Jeanne-Claude’s huge‚ usually outdoor sculptures are provinsional and requires hundreds of subordinates in their construction. Their work look at the way viewers see them‚ including those who don’t visit museums‚ these works force viewers to address questions

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    pieces of fabric joined by overlapping at the needle. Fabric pieces extend both left and right from the overlap area. Uses: These types of seams are mainly used in jeans. Applications: Side seams of dress shirts and jeans‚ attaching patch pockets and yokes‚ sewing on labels. [pic] Definition: Bound seam class is formed by sewing one piece of fabric or binding as it encompasses the edge of one or more pieces of fabric. Uses: These types of seams are mostly used for knit fabric than woven

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    Brittany Hancy TH 101 Rosencrantz and Guildenstern Are Dead Play Review Rosencrantz and Guildenstern Are Dead by Tom Stoppard was a play about two minor characters who were involved in the play Hamlet by Shakespeare. From the opening act of flipping the coins repeatedly‚ you could tell as an audience member that the play was going to be very amusing and comedic due to the performances of Rosencrantz and Guildenstern. As the show started‚ it was apparent that the costumes were created to

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    Form Active Structure

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    FORM ACTIVE STRUCTURAL SYSTEMS INTRODUCTION: A tension structure or tensile structure is a structure that is characterized by a tensioning of the fabric or pliable material system to provide the critical structural support to the structure. Tension structure utilize technical fabric roof membranes‚ a combination of catenaries cables and clamping systems‚ and a minimal amount of framing to create proportionally lightweight structures capable of spanning great distances. A.TYPE OF TENSILE STRUCTURE

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    Textile Processing

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    SRI BHAVANI TEXTILE PROCESSING: The plant performs the following operations of wet processing 1. Singeing(Fabric) -Gas Singeing 2. Desizing 3. Mercerisation(Fabric) 4. Scouring and Bleaching 5. Dyeing -Kier boiler -Jigger -Jet dyeing -Beam dyeing 6. Dyeing(yarn) -Cheese dyeing 7. Finishing -Stenter -Zero-Zero -Calendering 8. Printing -Flat bed printing 9. Dot coating DESIZING: Mts=1095 Volume=650 Indent type=non organic Temp=80 Weight=378 Time:

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    an adaptive fabric that controls air flow by opening invisible micro shutters when the humidity goes up. A separate layer keeps the rain out even when air is flowing. Adaptive fabrics like this are now being designed in a variety of ways for undergarments‚ sports wear and fashion products. Painting the family room? No need to change the drapes‚ just press a hidden button to adjust the color and texture to match your new decor. New inter-connection technologies using conductive fabrics allow sensors

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    Importing Textile

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    SHIPPING TEXTILE SAMPLES NPG Procedures Manual - Customs Compliance Requirements\ Importing Textile Samples Rev. 1/2010 Confidential 1 GARMENT AND FABRIC SAMPLE SHIPMENTS GARMENT SAMPLE SHIPMENTS There are two ways to import garment samples into the US: 1. Non-mutilated Samples: Garment is not marked or mutilated . 2. Mutilated Samples: Garment is stamped “SAMPLE” on the outside or the garment has been cut/torn. 1. NON-MUTILATED GARMENT SAMPLES The invoice must include a complete description

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    Azo Dye Lab Report

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    The purpose of this lab was to synthesize indigo and an azo dye and to determine how effective each dye was to dye different types of fabrics. 0.168g of 2-nitrobenzaldehyde was dissolved into acetone along with 25 drops of distilled water and NaOH to synthesize indigo. The solution was filtered‚ and the solid indigo was placed into the filter flask to reduce indigo to leucoindigo with 10mL of 3M NaOH. The flask was heated along with sodium dithionite and distilled water added to the flask. Afiber

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    Investigatory Projects

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    depending upon how the blossoms are prepared. According to Rakhi Shanker and Padma S. Vankar from the Facility for Ecological and Analytical Testing in Kanpur‚ India‚ a substance such as alum or other metal salts is used to make the dye stay on the fabric without quickly washing out. This substance is called a mordant. Shanker and Vankar experimented with mordants such as copper sulphate and stannic chloride as well as alum and found that the color varied depending upon which mordant was used. Saffron

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