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    June 21‚ 2014 Marriage in Jane Austen’s Emma The subject of marriage and its effect on women is a topic lively debated by Jane Austen in her many books. In Emma‚ the title protagonist is the spoiled daughter of a wealthy widower who spends her time gossiping and patronizing those less fortunate. Emma is kind hearted but a touch naïve‚ and her lack of impulse control finds the young woman often causing more disorder than she intends. The novel begins with Emma having recently attended the wedding

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    I chose Miss Emma. Miss Emma is a strong woman that represents everything that a woman aspires to be. In this adaptation‚ I imagine that Miss Emma would behave just as she would in the novel; with confidence‚ spirituality‚ and toughness. When Miss Emma makes up her mind‚ “I don’t want them to kill no hog… I want a man to go to that chair‚ on his own two feet" (Gaines‚ 13)‚ people knew that there was no stopping her. Regardless of whether “the conversation was over” (20)‚ Miss Emma continuously held

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    transformation Clueless (1995) is derived from Jane Austen’s classic novel Emma (1816) with both texts comparable as they use satire to address similar values. The shift in context enables the texts to reinforce the values of Regency England or 1990s Beverly Hills. Heckerling subverts and appropriates the original text to a cinematic context‚ through this she can comment on American society thus invoking new meaning to the ideas in Emma. Both composers approach the place of the social hierarchy‚ placing

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    Jane Austen’s Emma is brilliantly constructed of a series of character’s misunderstandings and complex subtexts that weave together to tell many stories at once. Each character’s knowledge and ignorance in various situations offers insight into their personalities and affects the way they interact with other characters‚ often resulting in comedic exchanges. One of the best examples of this amusing writing style of Austen’s is Mr. Elton’s proposal to Emma Woodhouse. The proposal scene is the

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    UNIVERSITY OF MUMBAI PROJECT ON “MAN-WOMAN RELATIONSHIP IN JANE AUSTEN’S EMMA” Submitted by NISHA DEEPAK TAREJA ROLL No. 55 IN PARTIAL FULFILLMENT OF THE REQUIREMENT UNDER THE SUBJECT FICTION FOR THE AWARD OF THE DEGREE OF M.A. IN ENGLISH

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    “Queen Emma And The Vikings”‚ is a historical fiction written by Harriet O’Brien in 2005‚ but in the time period of the 900’s. Harriet O’Brien has a journalist based in London. She has written for the independent and Conde Nast Traveler‚ among other publications. She resigned after going freelance to travel more. She mainly covers the UK‚ Europe and Asia‚ where she grew up. This is her second book. The first book she wrote is called‚ “Forgotten Land”. This book intrigued me because it offered the

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    Emma Goldman

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    In January 1886 a 16YOA Jewish girl- Emma Goldman arrived to in New York City from St. Petersburg‚ Russia‚ where her parents ran a grocery store. As soon as immigration officials had examined her and approved her entry into the US‚ she hurried to Rochester‚ New York‚ where her half-sister lived. Emma was extremely independent-minded. Her father had tried to force her to marry when she was 15‚ saying when she protested that “all Jewish daughter needs to know is how to prepare gefulte fish‚ cut noodles

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    Transformation- Clueless and Emma The 1990s have seen Jane Austin novels become more popular than ever. Hollywood‚ as is its custom‚ has followed suit‚ bringing to the screen several Oscar-nominated films faithfully based upon the author’s works during that decade. Why would our modern society still be charmed by these novels‚ written by a woman who never married or even traveled outside England? How can these 200 year-old stories be relevant to our jaded culture? Probably because‚ despite all the

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    transformation can give the audience a better understanding of societal values and attitudes present in the texts. Jane Austen’s book Emma(1816)‚ relevant to society in Regency England‚ is relived in a modern day context relevant to the 20th century American society in Amy Heckerling’s “teen flick” Clueless(1995). Social status plays a crucial part in both texts. “Emma Woodhouse‚ handsome‚ clever‚ and rich‚ with a comfortable home and a happy disposition...”(pg.1‚chap.1) lived in nineteenth century

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    Emma vs. Clueless Emma and Clueless‚ are two movies that illustrate Jane Austen’s novel entitled "Emma". The stories illustrate the importance of self-development and personal growth by using the theme of social status and moral worth. The protagonists‚ Emma and Cher‚ are bound to transform from callow young adults to mentally and emotionally mature women‚ given their similar situations. The major difference between Emma and Clueless is the way situations in the plot of the story are illustrated

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