Gianlorenzo Bernini Kelsey Hardy Born in 1598 in Naples‚ Gianlorenzo Bernini would go on to dominate the art world with his sculptures and architecture. Bernini was born to sculptor Pietro Bernini and Angelica Galante. He was the sixth of thirteen children. Bernini would not marry until May 1639‚ when he wed twenty-two year old Caterina Tezio. She bore him eleven children. He later died in Rome in 1680 and was buried in the Basilica di Santa Maria Maggiore. Bernini’s career began under his
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sculpture shows us the biblical character‚ David‚ who slew Goliath. We can see David holding the sling which he will use to kill Goliath. Below David is his cuirass (medieval body armor that covers the chest and back) which was given to him by King Saul before the encounter with Goliath. Also present below him is a harp whose tip is shaped like that of an eagle‚ a symbolic reference to the Borghese family. Bernini conceived and carved his statue of David in seven months‚ a remarkable achievement
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The building that captures the essence of 17th-century western culture is the Baroque sculpture Gianlorenzo Bernini (The Ecstasy of St. Teresa). Because it’s one of the best remarkable pictures to look at for the baroque. Designed to bring holy of the catholic faith. excessive state of amusement. From the far image‚ I see the angel trying to protect ST. Teresa
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LA 121 - OL7 Linda Liu David ! In this essay‚ I’m going to compare and contrast sculptures of a biblical hero character found in the old testament; David. David was one of the most anointed man of God found in the bible. Perhaps that’s one of the reasons why there are so many different versions of David‚ that a lot of artists from different periods depicts many different story of David’s life. David become the King of Israel after Saul stepped down. His name become well known as the King
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David- Michelangelo vs. Bernini The Baroque period of the 17th century had both incorporated and rejected the ideals of the antecedent High Renaissance art. Like High Renaissance art‚ Baroque art focused on making idealized and natural artwork. However‚ Baroque art introduced a way of involving the viewer into the artwork that was new and differed from High Renaissance art‚ which instead kept the viewer at a distance. The composition and diagonal movement in the space are two of the features of
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sculptures of David from Michelangelo and Gian Lorenzo Bernini. The similarities and differences are listed below: Similarities: 1). Both sculptures represent the same popular subject matter who is the biblical David during the battle with Goliath. 2). Both sculptures use marble as the material. 3). Both sculptures show the strength‚ confidence‚ beauty and concentration in the hero David during a combat. Differences: 1). Michelangelo’s David is completed by 1504 and Bernini’s David is completed
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INTRODUCTION. The story of David‚ a biblical hero who triumphed over his enemy under extraordinary circumstances‚ is very inspiring and has been the subject of numerous works of art. Statues‚ paintings‚ frescoes and all forms of literature have explored the heroism and youthful courage that David embodied as he faced the Philistine giant‚ Goliath The three statues of David by Donatello‚ Michelangelo and Bernini represent the beginning‚ height and end of Italian renaissance as well as the
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Apollo and Daphne by Bernini In order to fully appreciate the sculpture of Apollo and Daphne by Bernini‚ we need to understand the myth that it represents from Ovid ’s Metamorphoses. The story of Daphne is an example of an etiological myth one that is strongly explanatory of why certain things in their culture were a certain way. The gods were known for punishing mortals for offending them‚ but occasionally they punished each other. The gods were a vengeful‚ and they did not take kindly to
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THE COUNTER REFORMATION CHURCH REQUIRED THAT ART SHOULD PROVIDE AN EMOTIONAL STIMULUS TO PIETY AND INVOLVE THE SPECTATOR. WITH THIS IN MIND‚ HOW DID GIANLORENZO BERNINI (1598-1680) FIND NEW WAYS OF REINVENTING STATUES OF CHRISTIAN FEELING? Quod non fecerunt barbari Fecerunt Barberini Anonimous[1] Gianlorenzo Bernini (1598-1680) is considered to be “the artist who most profoundly shaped the public appearance of the Roman Papacy.”[2] He was an artist in every sense:
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Gian Lorenzo Bernini is a versatile and inspired Italian artist in the history of baroque art. Sculptor and architect are the two well-known characters. However‚ Gian Lorenzo Bernini is also a painter‚ a city planner and a man of the theater. Bernini was born in Naples in 1598. He was the sixth child of Pietro Bernini‚ who is originally from Florence. In 1606‚ Gian Lorenzo Bernini learns the art of sculpture from his father. His talent was soon observed by both the painter Annibale Carracci and Pope
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