Read the article “When Cubism met the decorative arts in France” by Paul Trauchtman (abridged). Pick out thematic vocabulary; use new words and word combinations in sentences of your own (10-15 – in writing); write 15 questions to the text; make a brief summary of the text. "When we invented Cubism‚ we had no intention whatsoever of inventing Cubism‚" said Pablo Picasso‚ many years later. "We wanted simply to express what was in us." What was in Picasso and his contemporaries was a voracious‚ if
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Introduction: The 19th. century was an era of invention and discovery. The horrors of the First World War led to widespread social trauma. People found consolation in art and literature‚ and used it as a way to express their outrage caused by the war. People demanded a form of expression that was honest‚ realistic‚ and critical of political and social behaviours. This Disillusionment following the war manifested itself in a number of ways‚ sparking artistic‚ literary‚ philosophical‚ musical‚ and
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Wayne Barker’s The World that Changed the Image uses technology in new and exciting ways. The image in the background of the screen print featured in a book entitled The Images that Changed the World. The artist uses the image as a judgement for the world in which we live in. The use of photography‚ which first originated in 1840‚ plays an immense role in creating meaning in this piece. The image which Barker uses creates a narrative; the viewer questions the identity of the boy and his contribution
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leaving his artistic life as an impressionist all along this period. However‚ after the 1929 Paris exhibition‚ he transformed his life into surrealist. As a surrealist‚ Dali was working with people of distinguished experience. This included artist Dadaist Andre Breton‚ who was the surrealism artist leader at that time. Dali
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Artist research Michelle Caplan Michelle was freelancing from home‚ doing Graphic Design‚ and started doing the art as a side thing. She never thought she could be a full time artist. Michelle Caplan loves the stories that she can tell from her artwork she researches out discarded photos and create stories of who she imagines the people may have been. Caplan gathers clues from the images‚ clothing and surroundings. She makes assumptions and likes to take guesses. Clients give her their
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1920’s French Avant-Garde Film The avant-garde cinema defies custom of the Hollywood narrative. It is called “the art‚ experimental‚ independent film”. This avant-garde films challenge to the main current in commercial films. Especially‚ 1920’s movements of the avant-garde film emerged as a strong part of the art culture in Europe. For instance‚ the Dadaism and the abstract film seek extremely abstract and emotional images. Also‚ the impression and the surrealism express subjective conscious
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moved to Brooklyn where he was able to learn a broad scope of the arts and have access to all of New York’s resources. There he met Steiglitz and became interested in the 291-gallery crowd‚ but it was when he became acquainted with New York City’s Dadaists that exploration of his self such as this became possible.
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1. The Last Supper is a mural painting by Leonardo da Vinci for his patron Duke Lodovico Sforza. It represents the scene of The Last Supper from the final days of Jesus as depicted in the Bible. The painting is based on John 13:21‚ in which Jesus announced that one of his 12 disciples would betray him. The painting is one of the most well known and valued in the world; unlike many other valuable paintings‚ however‚ it has never been privately owned because it cannot be moved. Тhe painting measures
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“Choice of materials‚ site specificity and audience experience have developed into important considerations for installation artists” Discuss this statement with reference to the work of Janet Laurence and two other artists Installation artists require an interactive atmosphere to effectively utilise and express their art works to their audience. Over the years‚ in the art world‚ choice of materials‚ site specificity and audience experience have become paramount considerations for installation
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I went to the Norton Simon Museum in Pasadena to visit the “Duchamp to Pop” exhibition. The theme of this exhibit was to demonstrate Marcel Duchamp’s influence and sway over the development and emergence of Pop Art and its artists. Besides many pieces by Marcel Duchamp‚ there was a variety of other artworks on view by artists such as George Herms‚ Claes Oldenburg‚ Tom Wesselmann‚ Andy Warhol‚ Robert Rauschenberg‚ and Jim Dine. This exhibit was displayed in a space of three rooms‚ where the first
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