"Courbet stonebreakers" Essays and Research Papers

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    Courbet Gustave was born in the year 1819 into a prosperous farming family. Instead of following his fathers’ will‚ he decided to seek a fortune as a painter in Paris. The young Courbet had never sold a painting for ten years since he started his career at the age of 21. In the 1840s Courbet’s style began to change and he attempted to put old models into new use. For the first few months of 1848‚ after the Revolution started‚ Courbet was a spectator as the other bourgeois were. In 1849‚ Coubet’s

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    Gustave Courbet

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    Gustave Courbet‚ the Realist Let’s first begins with who Jean Desire Gustave Courbet was. Gustave Courbet was a famous French painter. Courbet was born in Ornans‚ France on June 10th of 1819. Ornans‚ France is a filled with forests and pasture’s perfect for realist paintings. At the age of 14 Courbet was already in art training receiving lessons from Pere Baud a former student of a neo-classical painter named Baron Gros. Courbet’s parents hoped he would go off and study law when he moved out in

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    Courbet the Wave

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    Beginning in the summer of 1869 Gustave Courbet produced a series of paintings depicting stormy seas during his stay at Etretat on the Normandy coast. The Wave (La Vague c.1872) exhibited in the National Gallery of Victoria is one such painting that features the central motif of a cresting wave. While many viewed the work as a simple realist seascape‚ the political implication of the work suggested by some of Courbet’s contemporaries is hardly discernable to the modern viewer. It can only be understood

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    Art Hist 6C 4/17/11 Courbet Gustave Courbet has left a great mark on history‚ both as a painter and revolutionary. With his new takes on art‚ and unconventional desire to speak and unveil the truth‚ he stirred controversy with every new painting exhibited. Courbet’s genius and inspirational work gave voice to the lower socioeconomic class‚ in a way never seen before. He was a painter and activist‚ and most importantly a great humanitarian. Courbet attempted to portray what he saw in an objective

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    Considered by many to be the father of Realism is the French painter Gustave Courbet (1819 – 1877). In his life-sized depiction of two workmen he met along the roadside called The Stonebreakers (1849-50)‚ we see the hallmarks of the Realist movement. (Courbet‚ 1850) Not only does Courbet pay careful attention to the detail in order to “paint as he sees it”‚ but he treats the subject matter with almost

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    In 1855‚ an artist by the name of Gustave Courbet submitted fourteen paintings to be shown at the Exposition Universelle. Three of the paintings submitted for exhibition were turned away for lack of space. Including two of his most famous paintings “Burial at Ornans” and “The Artist’s Studio”. Determined to showcase his works‚ courbet withdrew his eleven accepted submissions and erected The Pavilion of Realism (Pavillon du Réalisme)next door to the official International Exhibition (Exposition Universelle)

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    This painting is by Guastave Courbet who created it in 1866. The painting has a close up view of a woman lying on a bed. The painting specifically show her belly and the legs are spread. According to the painting‚ this is a Caucasian woman. Her breasts are developed and she has pubic hair. We can tell by her body size shows that she is a mature woman. The head and arms are covered by something and they are not part of the view. The first thing you think of when you see this picture‚ is the nudity

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    Art Appreciation 9

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    through their work. There were three particular paintings that depicted those dark times and they are: Eugene Delacroix‚ Liberty Leading the People c. 1830‚ Ernest Meissonier‚ Memory of Civil War (The Barricades) c. 1849‚ and Gustave Courbet‚ Burial at Ornans‚ c. 1849. Eugene Delacroix’s Liberty Leading the People c. 1830 This detailed painting depicts a battle which took place during the Revolution in July 1830. The painting is very realistic. In Paris‚ on July

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    sexuality directly‚ rather than alluding to the subject as so many artists had done previously‚ artists such as Manet or Ingres. Instead‚ he took his cue from the influences of Rodin and Gustave Courbet‚ dealing with his subject directly‚ as he does in the piece Nude with Green Turban (1914). But unlike Courbet‚ who dealt with his subject in an effort to shock and influence the staid French Royal Academy‚ as in the case of L’Origine du Monde‚ 1866 (at right)‚ Schiele explores the issue of sexuality in

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    plan a

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    Describe the difference between “romanticism” and “realism”? — How would you describe the difference between American and European realism? — What is the political and cultural context of Realism? — Write Short notes on: — Gustave Courbet — Edouard Manet — Honore Daumier — Thomas Eakins — Winslow Homer — Jean-Francois Millet — Claude Monet

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