Sound Designer: State the interpretation and approach of your director. Do you personally agree‚ or disagree‚ with the interpretation and approach of your director? Why? The sound designer has an extreme importance in the play. The sound designer need to study techniques‚ theories and music to have a great understand to be able to introduce sounds and music in the play in order to show emotions and feelings. According to the President of the American Association of the Community Theatre (AACT)
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Konstantin Stanislavsky and Edward Gordon Craig are both influential directors and have shaped that way we view theatre today. Stanislavsky valued a form of naturalism that the actors should have experienced a similar situation to that of the character. From this the actor could convey real human emotions to the audience. Further along in his career‚ to allow the actor into the psych of the character‚ Stanislavsky started to focus on the psychological motivations that drove the role. On the other
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Modernist Literature In the world of literature‚ modernism is represented by the moving away from traditional rules and practices‚ looking at man’s place in the world with a realistic view‚ and experimenting with form and style. Modernism focuses on the use of language and the function of the actual writing. Modernist literature moves away from Romanticism by exploring subject matter that in the past was viewed as boring and often pessimistic. Instead of using language that is poetic‚ the language
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Lourdes School of Mandaluyong High School Department A.Y. 2013-2014 In Partial Fulfillment Of the Requirements In English IV AN ANALYSIS PAPER ON ANTON CHEKHOV’S THE SEAGULL AND THE CHERRY ORCHARD Submitted to: Mrs. Joneth D. Vibar Submitted by: Vincent del Castillo IV-St.Francis of Assisi Outline of Analysis 1 Author’s Style 1.1 Anton Chekhov as a Playwright and Author of Short Stories 1.1.1 Russia’s best
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How was your understanding of cultural and contextual considerations of the work developed through the interactive oral? The play The Cherry Orchard by Anton Chekhov shows the changing times in Russia‚ particularly the rise of the serfs and the communist ideology. During the discussion‚ various topics were brought up‚ including social class‚ time‚ characterisation‚ and the significance of the cherry orchard. The cherry orchard in general represents the wealth of the aristocrats and the old social
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For the same scene we had also used an action mime technique. Action mime is when an actor uses a motif of mimed movements to contribute to the development of their character. Action mime is key to Berkoff’s Physical theatre because the performance style has a focus on movement and the body. I found this technique particularly helpful when I tried to embody the words as Berkoff intended and when I was developing Joey’s monologue. Berkoff believed that even if all the words from the scrip were taken
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Family background: Stanislavski had a privileged youth‚ growing up in one of the richest families in Russia‚ the Alekseyevs.[4] He was born Constantin Sergeyevich Alexeyev – "Stanislavski" was a stage name that he adopted in 1884 in order to keep his performance activities secret from his parents.[5] The prospect of becoming a professional actor was taboo for someone of his social class; actors had an even lower social status in Russia than in the rest of Europe‚ having only recently been serfs and
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Constantin Brancusi The biggest sculptor of the XXth century‚ Constantin Brancusi the central figure in the modern art movement and a pioneer of abstractization is considered to be the father of modern sculpture. The uniqueness of his sculptures comes from their elegance and the sensible use of his materials combining the simplicity of popular Romanian art and the elegant Parisian avangardism. The most important characteristics of Brancusi’s art are probably the verticality‚ horizontality
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ART-101-01 Museum Paper The Kiss – Constantin Brancusi Constantin Brancusi‚ a Romanian sculptor born in 1876‚ is considered one of the first creators in modern art and was a central figure of the modern movement and a pioneer of abstraction. As a young man he was a craftsman in woodcarving. From 1898 to 1902‚ he studied at the National Fine Arts School in Bucharest. He was eager to continue his education in Paris. In 1904 Brancusi went to Paris and enrolled in the École des Beaux-Arts in
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upon different aspects of the work than Stanislavski would have. So‚ for example‚ Brecht took Stanislavski’s concept of the super-objective‚ which for Stanislavski represents the Ruling Idea of the play – what the play is essentially about‚ which then unites and guides the actors‚ helping them to work together in the service of a coherent and focused production – but then emphasised the distancing aspects of this process for the actors much more than Stanislavski himself would have done. Mumford notes
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