Michael Cammarata In this paper i will compare and contrast two ancient sculptures from the metropolitan museum of art‚ one greek and one roman. The first sculpture is the marble grave stele of a little girl. The second sculpture would be Marble Relief of a dancing maenad. Both are made at about the same time period in the 5th century b.c. Marble grave stele of a little girl is known to be found at the little girls grave‚ which is sad because she looks so young and innocent with her
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Feathered Serpent Sculpture Facing out into the eyes of museum-goers‚ the Aztec feathered serpent sculpture currently on display at the Metropolitan Museum of Art dates from between fifteenth and early sixteenth century. Though the iconographic motif of the feathered serpent is a common and meaningful one in Aztec art‚ the formal elements of this piece communicate an equally strong message. Through deliberate choices in the crafting and facture of this seemingly dense stone sculpture‚ the artist reiterates
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Sculpture of: “Transfiguration” Napoleón Isabelo Veloso Abueva (born January 26‚ 1930)‚ more popularly known as Napoleón Abueva‚ is a Filipino artist. He is asculptor given the distinction as the Philippines’ National Artist for Sculpture. He is also entitled as the "Father of Modern Philippine Sculpture". He is the only Boholano given the distinction as National Artist of the Philippines in the field of Visual Arts. Conrado Mercado hails from Bustos‚ Bulacan
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Artworks in the Cullen Sculpture Garden The sculptures that adorn the acre-wide Cullen Sculpture Garden are not just an exhibit. They are an experience. They are to be walked amongst‚ and viewed as they are exposed to the elements. Light‚ shadow‚ weather‚ all play a part in how they are viewed throughout the day. In essence‚ no one sees the exact same sculpture. In full light the trees still dapple the sculptures with shadow. Metallic sculptures cast dark shadows. The steel sculptures especially challenged
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Ronick Simons 3D Design Professor Casey 3/26/2013 Richard Deacon ‘If the Shoe Fits’ – Analysis The sculpture‚ If the Shoe fits‚ by artist Richard Deacon is interpreted as a very intellectual abstract work of art by many. The piece is made completely of steel; that was cut‚ shaped and attached with rivets and screws. The sculpture was created in 1981‚ in London‚ UK. It still remains in London‚ located at the Tate Gallery. If the Shoe fits was inspired by Rainer Maria Rilke’s ‘Sonnets to
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arts of architecture‚ landscaping‚ painting‚ and sculpture. These diverse forms of art have their own unique qualities‚ all of which can be accented with sculpture in some way. As sculpture usually relates closely to the other arts in expression and style‚ it still relies on all of the social aspects of the society in which it resides for its meaning and purpose. The three-dimensional and long-lasting qualities contribute to the wide use of sculpture as a cultural expression of the beliefs and ideals
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through about two dozen different galleries‚ I finally found the sculpture of Virgin and Child. She stands on a pedestal totaling approximately 6 feet tall‚ but the sculpture alone is only about half the height. There is a placard on the pedestal citing historical information. The sculpture is French Gothic and is made from marble. She was sculpted somewhere between the years 1325 and 1350. It is also noted that the sculpture is part of the Samuel H Kress Collection‚ I assume this means he is
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Classical Greek Sculpture Analysis Riace Bronzes (Statue A) This classical Greek sculpture is titled the Riace Bronzes. The Riace statues are two life-size bronze statues each weighing nearly a ton. Statue A which is depicted above is of a young warrior‚ while statue B which is not depicted is of an older warrior wearing a helmet. In this analysis I will be concentrating on Statue A. The sculptor of this statue remains unknown; however most experts
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matter how accomplished they might be‚ the works of art we have discussed so far seem alien to us. The ancient cultures that produced them were so different from our own that we find few references in those works to our time. Greek architecture‚ sculpture‚ and painting‚ however‚ are immediately recognizable as the ancestors of Western civilization‚ despite their debts to earlier art. A Greek temple reminds us of countless government buildings‚ banks‚ and college campuses; a Greek statue recalls countless
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attending Indiana State University‚ one of the first sculptures I took an interest in was the Via Solaris. “Via Solaris‚” Latin for the way or road of the sun. The sculpture is about 20-feet tall and made of bronze and steel. Via Solaris was created by John Van Alstine (b. 1952)‚ an American sculptor living and working in New York State best known for stone and metal abstract sculptures exhibiting exceptional balance and poise. The sculpture is located on the north side of Stalker Hall on the campus
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