to achieve this. A shot of a person planning to set a bomb in a building would for instance require the film maker to use a close up or better still an extreme close up to show the tense feeling in the characters’ eye. Using a long shot in this scene will not clearly bring out the message since the long shot does not reveal details or emotions. Any motion picture is made up of basic elements of a sequence referred to as the shots. This paper illustrates how various shots are used in film making to
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2011‚ pg. 9).” In chapter 9‚ 00:05 of Gladiator a blatant show of formalism is in this scene‚ which starts by showing the dessert nothing but rock that has a little light and no sign of life. Then in a brief moment Maximus’ face is shown in a close-up shot‚ where he appears to be floating as if ethereal or maybe in the after life. The shot changes quickly to a wall white with a closed wood door‚ the shot fells sorrowfully because of the color trend the color change is drastic from the bright reds
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Sirk starts to use close-up shot to make a contrast between the sorrow face of Cary and the delighted face of Kay. When Cary is so shocked about the news and sits on the sofa‚ a slow and sad melody comes to the background. When Sirk uses a close-up on Cary’s sorrow face‚ we can hear that Kay recalls gladly that the afternoon Freddie and her found that they love each other. Cary replies sadly (“That was the day you told me your life would be ruined if I married Ron”) and a close-up shot is quickly made
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Sequence Analysis for Casablanca “Play it again Sam” Shot 1 - Establishing shot shows Selective focus on Sam as piano wheeled in focus‚ within Ricks bar - Black and white color scheme with hard lighting and low-key illumination effectively recreates bar image - Sam face fronting camera‚ well lit‚ Ilsa back to camera - Background out of focus‚ thus centering the scene around Sam and Ilsa - Diegetic sound of conversation between sam and Ilsa - 2 planes of action -Sam and Ilsa conversation
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and that the situation is indeed fairly funny. This is all happening while the classical music is playing in the background and while all the people around Artur Karapetyan are talking and greeting each other. When they see each other a lot of close ups are starting to appear of both Jack and Rose which indicates the importance of these two characters and their interaction. Jack greets her in a very formal way by kissing her hand & tells her straight away that he always wanted to do that and that
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her. By completing this scene is just one shot‚ the cinematographer accomplished a sense nostalgia. The audience accepts that the two characters will never be together‚ yet they can not help but think about the way things might have turned out. A close up shot is used when Harry Lime has been shot and is trying to open the frate to get out of the sewers. Because the shot shows so much of his face‚ the audience is able to see the full extent of his emotions. There is a sense of desperation and fear
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challenge and change in order to thrive and evolve. The film begins with a close-up shot of Truman Burbank staring at himself in the mirror deliberating whether he will conquer a perilous journey. This focus on the protagonist highlights an evident yearning for freedom and his conclusion that he will succeed “broken legs and all” shows his determination to break free from his shackled existence. In a medium close up shot Meryl (Laura Linney)‚ Truman’s wife‚ is discussing her role in the television
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followed by an extreme close up to Jamal’s face‚ who is the main character of the movie. Then it switches shots from the falling ball and Jamal’s face‚ as he is getting ready to catch the ball. As the ball is about to hit the ground there is a long shot of a plane‚ at that moment it flies over‚ highlighting that the plane is much higher and going extremely fast. Afterwards in a later scene‚ the police arrive on motorbikes‚ with a close up from the front of the bike‚ creating an up tempo scene that is
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across as dots‚ so the audience is made to question whether this shot is an extreme close up‚ extreme long shot of the land or a painting. This shot may symbolize Aboriginal paintings‚ how they are mostly formed of dots and patterns‚ it is a very clever yet interesting way to start off the film. Simultaneously with the opening scene‚ Molly introduces the film in her native language. After a minute or so‚ the camera pans up to the sky‚ then focuses back to the ground. But this part of the land is darker
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fucked up brats you spawned to replace yourselves. Choose your future. Choose life... But why would I want to do a thing like that? I chose not to choose life. I chose something’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin? mise en scene decor‚ lightining‚ body language‚ movement‚ lighting‚ colour connotations. everything that can be seen in a paused still. cinematography framing‚ extra long shot‚ long shot‚ medium long shot‚ medium shot‚ medium close up‚
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