Urban Form and Sense of Security Kenny P. Joy URP0910 Prof. Rameshwar P.V.K Urban Form and Space April 18‚ 2012 URBAN FORM & SENSE OF SECURITY Paper on: Urban form and sense of security : A review Kenny P. Joy Student of Urban design‚ CEPT University‚ Ahmedabad Abstract: The paper essentially deals with sense of security in the context of urban space and its relation with urban form. The study examines the sense of security in public spaces and the factors that determine it.
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and more. b. Alternatively‚ she could be addressing the transition from the urban area to rural area as housing becomes smaller and more and more packed together and furthermore becomes taller and taller. It can in a sense bring a sense of claustrophobia as we feel that our area of movement becomes more limited‚ similar to how the size of the paragraph becomes smaller and smaller as we continue reading‚ limiting the amount of content that we can include in it. Word – Based Analysis 1.
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The Waste Land is a poem written in a post-world war society which describes a series of characters‚ settings‚ and relationships‚ the majority of which are sterile and desolate. Appleyard considers the mood that dominates the poem‚ “The one connecting device is a mood of despair‚ of barren dislocation”. Within the Waste Land Eliot persistently presents a modern world which is full of isolation and despair using each of the portraits of either settings‚ characters or through the depiction of relationships
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“Maslow’s Hierarchy of Needs” Maslow’s hierarchy of needs is a theory in psychology proposed by Abraham Maslow in his 1943 paper "A Theory of Human Motivation" in Psychological Review. Maslow subsequently extended the idea to include his observations of humans’ innate curiosity. His theories parallel many other theories of human developmental psychology‚ some of which focus on describing the stages of growth in humans. Maslow used the terms Physiological‚ Safety‚ Belongingness and Love‚ Esteem
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Wong Kar Wai: A Top View "When did everything start to have an expiration date?" That ’s a question posed by a lovelorn cop in Wong Kar-Wai ’s 1994 film ChungKing Express‚ and in a sense that line is a conveys what Wong ’s films are all about. Wong Kar-Wai’s body of work has an immanent sense of flowing time and space that creates a blend that gives us the sense of fleeting time‚ memory and the chaos of the contemporary urban life. He is one of the most influential directors of Hong Kong with
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Both Heaney and Duffy’s poems explore childhood memory demonstrating the effect that environment and culture can have on recollections. In doing so‚ they both show the pain and delight of childhood experience and the poignancy of losing that innocence. A clear and concise thesis. We are expecting focus to be on ‘environment and culture’ in the poems with comments on the emotional range of pain‚ delight and poignancy to be evident. Duffy uses culture as a context for exploring childhood memory
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German Expressionism “… the expressionist film is primarily a visual phenomenon‚ a mise-en-scene of fear and desire. Internal conflicts and ambivalences are projected on to an external world that has become foreign and strange‚ a process that finds expression in the destabilization of the subject at the center of the narrative…” (Hake‚ 2002: 31). In light of the following observation by Hake‚ this essay will be looking at her statement and how it can be applied to the 1920 film The Cabinet
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WORD ROOT INTRODUCTION TO THE WORD ROOT The following list presents some of the commonest word roots-mostly Greek and Latinthat appear in English. Learning to recognize these word roots is a great help in expanding your vocabulary. Many seeminglydifficultwords yield up their meanings easily when you recognize the word‚ roots that make them up. Excrescence‚ for example‚ contains the roots ex-‚ meaning out or out of‚ and meaning to grow; once you know this‚ the meaning of excrescence‚ an outgrowth
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Out with the Old… Mainstream cinema is always‚ in some form‚ a reflection of the time or place it was made in. This reflection can be present within the filmic language in numerous ways; ideologically‚ technologically‚ geographically‚ culturally‚ ethically etc. It is because of this that non-contemporary films sometimes struggle to find a new audience within contemporary culture. As time passes‚ culture changes‚ and as a result films can quickly become out dated. Screen writer Charles Mortiz explains
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Romantic elements in Frankenstein and The Fall of the House of Usher Mary Shelley’s novel‚ Frankenstein‚ and Edgar Allan Poe’s short story‚ The Fall of the House of Usher‚ although published in different periods‚ on different continents‚ have in common many of the main ideas that stood behind the literary movement of Romanticism (the sublime‚ the Romantic hero‚ imagination‚ isolation)‚ combined with elements of the Gothic (the mysterious and remote setting dominated by a gloomy atmosphere
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