Othello: The Other Race and religion seem to be very prevalent in Shakespeare’s Othello. From the beginning of the play the reader gets the impression that the protagonist‚ Othello the Moor‚ is considered an “other” in the Venetian society. Othello’s high military ranking gives him the respect of the characters in the play‚ but his race and religion are brought up a lot throughout the play in the speech of the characters in the play. Despite the characters in the text constant dehumanization of
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suspects Othello to be sleeping with his wife. Proof: Point Three: Iago accuses Othello of being a thief to Brabantio Proof: Concluding Sentence: Second Body Paragraph Introductory Sentence: Point One: Roderigo is jealous of Othello as he is obsessed with Desdemona‚ and that is Othello’s wife. Proof: Point Two: Othello is jealous as Desdemona shares her love with someone else. Proof: Point Three: Iago engineers himself to become jealous of Othello for apparently sleeping with Emilia. Proof:
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Tragedy is a common theme within Shakespearean Literature. As an author‚ Shakespeare uses tragedy within his works to instill certain emotions and drama. Two examples of a Shakespearean tragedy are Hamlet and Othello. Hamlet and Othello are both tragic heroes within their respective stories. Sadly‚ due to their heroism‚ they are often the target for many plots and schemes. The setting of Hamlet takes place in the Kingdom of Denmark. King Hamlet has just died and his throne is passed on to his
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crucial effect of friends and usually authored his plays around the fundamental impact of others. Shakespeare’s Othello possesses a premise of one’s choice in friends supplementary to his other works. Shakespeare’s play Othello emphasizes the importance of good choices in friends through Othello‚ Cassio‚ and Rodrigo’s vulnerability to trust Iago. Iago is not a traditional villain for he plays a unique and complex role. Unlike most villains in tragic plays‚ evidence of Iago’s deception is not clearly
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such as love‚ virtue‚ reputation and honour. Iago constantly plays the role of ‘honest Iago’‚ which is shown by Shakespeare’s constant dramatically ironic use of this phrase over twenty-three times. All characters have no hesitation in trusting every word Iago says‚ and taking everything he tells them
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individual‚ but destroy that individual. In Othello‚ we see the protagonist fall guilty to jealousy‚ even though he has said that he doesn’t let his feelings get the better of him. Roderigo‚ because of love‚ gets jealous and ends up losing all his money. Iago‚ the villain in this play‚ falls prey to jealousy because of his pettiness from not getting a promotion and having certain suspicions that may or may not be true. In William Shakespeare’s “Othello”‚ Iago states‚ “Oh‚ beware‚ my lord‚ of jealousy
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Finally‚ near the end of the play‚ Emilia realizes “we must think men are not gods” (3.4.144). Although she knows her correct role in society in order to be accepted‚ she has come to see the lack of equality between men and women. She understands that in order to be presented to society‚ they must put on an act for their husbands. They do not need to think of them as gods‚ but must treat them as they are. She now believes that a woman being referred to as “whore” (4.3.74) is not tolerable. When something
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In both "Othello" and "Oedipus Rex" to a great extent‚ the emotions provoked by familiar human experiences are acceptable to all people of all times. It is a fact that "Human nature remains the same (Kiernan Ryan 1989)." Both plays explore issues surrounding emotions like love‚ envy‚ jealousy and pride provoked by life experiences such as racism‚ fate‚ rifts between parent and child‚ a quest for position through deception or for justice or an intoxicating sense of being all powerful which transcend
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the associative link‚ determines Roderigo’s continuation of complaint Thou told’st me‚ thou didst hold him in thy hate elicits at length a true feeling of Iago’s mind‚ the dread of contempt habitual to those‚ who encourage in themselves‚ and have their keenest pleasure in‚ the expression of con-tempt for others. Observe Iago’s high self-opinion‚ and the moral‚ that a wicked man will employ real feelings‚ as well as assume those most alien from his own‚ as instru-ments of his purposes: And
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throughout his works‚ particularly those of love‚ death‚ and betrayal. All these themes are present in Othello. Most paramount‚ however‚ is jealousy. Jealousy runs the characters’ lives in Othello from the beginning of the play‚ when Roderigo is envious of Othello because he wishes to be with Desdemona‚ and to the end of the play‚ when Othello is furious with envy because he believes Cassio and Desdemona have been engaging in an affair. Some characters’ jealousy is fashioned by other characters. Iago is
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