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utilizes pan and dolly as well as transitioning angles so we can observe every apartment and tenant. Sound and different camera distance also contributes to the mise en scene that further presents the theme in conjunction with the cinematography. The mise en scène and cinematography in the beginning sequence of Rear Window clearly sets the stage for the viewer to take on a role of careful yet clear observation and watchfulness. This in turn sets the overall theme of rubbernecking or spying‚ not just observing
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Casablanca (film) Casablanca is a 1942 American romantic drama film directed by Michael Curtiz‚ starring Humphrey Bogart‚ Ingrid Bergman and Paul Henreid‚ and featuring Claude Rains‚ Conrad Veidt‚ Sydney Greenstreet‚ Peter Lorre and Dooley Wilson. Set during World War II‚ it focuses on a man torn between‚ in the words of one character‚ love and virtue. He must choose between his love for a woman and helping her and her Czech Resistance leader husband escape from the Vichy-controlled Moroccan city
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Side By Side: The Digital Revolution With the fast progression of technology in the 21st century‚ cinema has transformed digitally‚ leaving film in our history. Keanu Reeves and Christopher Kenneally combine their experiences‚ knowledge‚ and passion of cinema to create the documentary‚ Side by Side. Countless respectable film industry moguls are interviewed throughout the documentary showcasing their mastery of the art and expressing their opinions on it’s revolution. Side by Side explores the
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The outlaw hero has the "childlike" qualities that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have. Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its
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is not viewer’s typical western genre expectation. While Ang Lee’s‚ Brokeback Mountain‚ will remain an important piece of cinema now and one hundred years in the future because‚ the genre of the film makes it memorable to audiences‚ stimulating cinematography and sound‚ the incredible use of mise-en-scene‚ and the film not conforming to America’s ideology. First‚ the genre of this film makes it memorable to audiences for years to come since the classic
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outskirts of Rio. What was meant to be a small film project became a success in many ways. Although it quickly became an international sensation winning numerous awards the filmmakers were also successful with their use of various components of cinematography. One critic said that “City of God is a wildly entertaining film. The sheer energy of the movie is never less than compelling. Meirelles pulls out every filmmaking trick in the book‚ utilizing freeze-frames‚ montage‚ flashback‚ quick-cutting
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However‚ director Brad Furman does an outstanding job in bringing this thriller from the pages of Michael Connelly’s novel to the moving medium. In this paper we will analyze several different aspects of the film including: Storytelling‚ acting‚ cinematography‚ editing‚ sound‚ style and directing‚ societal impact‚ genre‚ and film criticism and analysis. Finally I will end with my thoughts and conclusion. Body The Lincoln Lawyer follows chronological order‚ meaning “the order in which events
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Acting and cinematography work together to create powerful meaning and impact in films. These are two aspects of filming that will almost never change regardless of the age. Acting and cinematography are what separate a good film from a great film. The Godfather is a relatively old film but is also a great example of how memorable a film can be if acting and cinematography are done extremely well. I will try to explain in detail what makes The Godfather one of the greatest movies of all time by talking
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Washington D.C. The filmmakers ask the audience ‘When does education become indoctrination?’ and their film lets viewers answer for themselves. Jesus Camp’s creators convey their answer to the question indirectly through multiple components of cinematography including camera angles‚ lighting‚ symbolism through imagery‚ and music. The filmmakers answer their question indirectly through these cinematic tools‚ but allow room for the audience to form their own opinion as well. The camera work in Jesus
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