Casablanca Cinematography The film Casablanca directed by Michael Curtiz and released in 1943—at the height of World War II—is set in December 1941 in Casablanca‚ French Morocco. It is a time of escalating power of the Nazi party‚ which attempted to gain control of most parts of the world starting with Europe and Northern Africa. As a result of the ascending power of the Nazis and anti-German sentiments‚ many Europeans were desperate to flee their homes. Because Casablanca was not yet taken over
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In the film Casablanca‚ techniques within cinematography and editing are utilized to help carry the story forward while effectively capturing each character’s centrality to the overall storyline. In cinematography‚ close-up shots work to place emphasis on each character’s dialogue by centering their faces in the main frame of view. This allows the audience to follow their lives‚ conflicts‚ and stories on a more personally engaging level as the film digresses. In editing‚ the film is tracked by transitions
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sober‚ Kevin McKidd as Tommy‚ clean-cut athlete that returns to drugs more than once‚ and Robert Carlyle as sociopath Begbie boast about not using drugs but picks extremely violent fights with people who stand in his way by throwing beer mugs. Cinematography helps us understand the struggles and consequences of the dark corners of addiction through camera angles‚ lighting and point of view. The film lets us know that life is what you make it and that anything is possible if you try hard enough.
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Casablanca essay Casablanca is a classic Hollywood movie where the setting is in French unoccupied Casablanca of 1940’s World War II era. The good portion of the movie has a love story theme centered on two people whose names are Rick Blaine and Ilsa Lund. In the movie‚ Rick is the owner of Rick’s Americana bar and there his predictability is minimal as it can keep the audience guessing on his nature. He did play the part of the hero but kind of hard to notice his heroic nature in the beginning
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The purpose of this analytical essay is to broach two specific subjects in the film Casablanca. First query of analysis is how the opening credits are presented. Do they relate to meaning? Why does the film start in the way it does? Examining how the opening credits are presented‚ there are two striking elements that are being portrayed; the choice of music and the choice of narrative. In regards to the first constituent‚ music‚ the choice landed on a piece of immoderate dramatic quality. The
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Casablanca - Cultural Context Some aspects of cultural context War/Politics: The main backdrop to this story is that of war and politics. There are many war stories but Curtiz chooses the unusual setting of Casablanca – it’s a cultural and political melting pot that provides a richly textured cultural context in which the characters can interact. Much of this is explained in the opening scene (see section on Key Scenes below). Several cultures co-exist or are represented – the locals
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Acting and cinematography work together to create powerful meaning and impact in films. These are two aspects of filming that will almost never change regardless of the age. Acting and cinematography are what separate a good film from a great film. The Godfather is a relatively old film but is also a great example of how memorable a film can be if acting and cinematography are done extremely well. I will try to explain in detail what makes The Godfather one of the greatest movies of all time by talking
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Digital Cinematography For over a century motion picture have entertained the masses‚ allowing people to view life taking place on a large screen. For the majority of this time these movies were shot using the same film found in photographic cameras. Technology always seems to take over and the film industry seems poised to be the next target. With digital picture acquisition getting better everyday‚ movies are beginning to be shot completely digital. There are a number of plusses and minuses
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While it is easy to make comparisons between the pupil of the eye and the f-stop of a camera or between the retina of the eye and photographic film‚ once we get past the basic similarities of the optics of the two systems‚ comparisons begin to rapidly break down. The eye is not only much more complex than a camera and its film‚ but the two imaging devices function by different chemical mechanisms. The photographer (or the automatic exposure system of the camera) regulates the f-stop opening and time
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fundamentals of film are mis-en-scéne‚ cinematography‚ editing and sound. The mis-en-scéne includes the setting‚ costumes‚ make-up‚ lighting and staging. It is defined as “the visual elements on the stage and includes depth‚ height‚ and width. Although the precise meaning of mise-en-scène with regard to film is disputed‚ it generally refers to what is seen in the film frames throughout the film or to what is seen in one single shot or frame.” The next element is cinematography and that is the photography‚
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