“The Phantom of the Opera‚” has always been intriguing to me‚ it is now even more so that I look at it through a more educated musical lens. This musical expertly uses centuries old classic opera techniques‚ and musical elements‚ to create its enticing and captivating scenes. This short essay will include an analysis of the musical elements it uses to highlight each actors character traits‚ to set the scenes‚ develop the plot‚ and to bring forth the intense emotions it draws from the audience.
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reputation is hard and so is measuring it. Reviews on papers give a sight how the opera is doing‚ but the best way to know is to make a consumer survey for example once a month. Also comparing the growth in visitors between BLO and other operas gives an idea. Rating different aspects is another way to measure the artistic view. Giving value for example to the lead singer or the orchestra will help to understand how the opera is doing on its main field. These measures aren’t very proactive though‚ but
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you’ll try. When you find that‚ once again‚ you long to take your heart . . . (As CARLOTTA((NIEVARES)) is singing a backdrop crashes to the floor cutting her off from half the cast) MEG/BALLET GIRLS/CHORUS He’s here: the Phantom of the Opera . . . He is with us . . . It’s the ghost . . . PIANGI (CHICO) (looking up‚ furiously) You idiots! (He rushes over to CARLOTTA((NIEVARES) Cara! Cara! Are you hurt? LEFEVRE (GACIAS) Signora! Are you all right? Buquet! Where is Buquet
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BEOWULF (Movie Reaction) Beowulf is an early Anglo-Saxon epic poem that reflects the life of the Anglo-Saxons. In like matter‚ their culture‚ custom‚ persona‚ values and their ways of life are shown and exposed. Beowulf happened during the Anno Domini or the Year of the Lord so the Anglo-Saxons believe in Jesus Christ‚ the Christian God. Moreover‚ they deem on fate that all of us will reach our Ragnarok. Beowulf is a man as well as a hero who is the perfect image and individual for the Anglo-Saxons
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Sydney Opera House Sydney Opera House (1957 - 1973) is a masterpiece of late modern architecture. It was created by a young architect who understood and recognised the potential provided by the site against the stunning backdrop of Sydney Harbour. The base for the building was started in 1959 - years before the designs were finished. It took four years to design by Danish architect Jorn Utzon and by 1962 the designs were finalized and construction began. In total it took 14 years to build
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The term opera seria refers to the noble and ‘serious’ style of Italian opera that predominated in Europe from 1710- 1770 however this term was rarely used during this time and only really attained common usage when it was becoming unfashionable. The phrase opera buffa was first used as an informal description of the Italian comic operas which were especially associated with developments in Naples during the first half of the eighteenth century. The development of the opera buffa was parallel with
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The goal of the Metropolitan Opera is to educate society about culture and the performing arts‚ in particular‚ opera. The Met aims to present operas of the highest quality featuring the world’s most talented performers and the broadest range of works. It tries not to repeat any operas and puts on from twenty-five operas a season‚ not to mention the tours and the recordings that they undergo. The Met also attempts to advance operas by producing new ones that are risky productions‚ which attracts a
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WELCOME TO PEKING OPERA Min Doh I organized basic facts and simple information mainly related to my presentation‚ however the actual contents might be different because I did not want to add any spoiler. :-) Brief Introduction & History Peking opera of China is a national treasure with a history of 200 years. Through a period of more than half a century of combination and integration of various kinds of opera there evolved the present Peking opera‚ the biggest kind of opera in China‚ whose richness
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Storytelling Through Opera In the following‚ three operas will be compared by their ability to effectively tell stories through music. The three operas that will be discussed are: “Don Giovanni” by Mozart‚ “La Boheme” by Puccini‚ and “Wozzeck” by Berg. All of them represent a different era in classical music‚ and have similarities and differences. The music will be analyzed both instrumentally and vocally‚ to show how each is able to communicate to the audience‚ and tell a story. The first
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My Critique of The Phantom of the Opera The Phantom of the Opera by Gaston Leroux‚ a treat for lovers of dark‚ mysterious fiction‚ see’s the life of someone who will do almost anything for love (especially when there is lack of it in their life) from the lives of Erik‚ The Opera Ghost (’O.G.’ for short)‚ and Raoul‚ Vicomte de Chagny. Both men are in love with the same woman‚ Christine Daee. Christine is a Swedish soprano at the Paris Opera House who has been singing with her father ever since
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