Nicole Caillaux April 7‚ 2011 Music Appreciation Prof. Caballero One of the most musically talented‚ Wolfgang Amadeus Mozart began at a very young age and passed at a young age. Mozart was incredibly talented; his music is still heard and played around the world today. Amadeus a movie portrayed on Mozart’s life through the eyes of a jealous rival Antonio Salieri has some facts as well as fiction to it. Amadeus was a very commendable movie portraying Mozart’s life. Though it had
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Beethoven’s Fifth Symphony an Emotional Analysis So for the Paper I have decided that I would make my descriptive essay in chronological order because that is how I experience the song. To start off though I would like to say that I felt very contemplative when I hear this symphony and it almost feels like the life story of someone. At the beginning of the the symphony it almost feels mysterious and new. It feels like everything is new and brings a sense of wonderment. You can almost feel the curiosity
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Nicole Music 122 Dr. December 5‚ 2012 Beethoven and Tchaikovsky’s Final Symphonies: Comparative Analysis Although from different eras‚ embracing different styles‚ Beethoven and Tchaikovsky can both be identified as two of the most influential‚ emotional composers. As men they were alike in the profound emotion put into everything they did. They both had emotional issues though Beethoven was angrier‚ and frustrated while Tchaikovsky was quite depressed and always had feelings of guilt
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Ludwig van Beethoven was a German composer who was a crucial figure in the transition from classical to romantic eras in western art and music and is still one of the most influential composers of all time. His life was marked by great struggles‚ from being harshly pushed by his father to learn music to struggling against going deaf in his later years. Although his music is over 200 years old‚ it still has significant impact today on german culture. It is believed that Beethoven was born in
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Beethoven Symphony No. 3 and Mozart Symphony 40 Forms Sonata form is one of the more popular forms of music that is found in a variety of different works including symphonies‚ concertos‚ and sonatas. Sonata form features three distinct sections: the exposition‚ development‚ and recapitulation. Mozart was one of the early composers of this form of music. I will examine the clear distinctions between each section and how he does not stray from the typical form. In later years the form would change
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The impressions of Ludwig van Beethoven (1770-1827) as a person‚ as discussed by Greenberg (2005)‚ may lead one to believe he was a deeply troubled and conflicted individual‚ a great artist and. a product of his times. “There were‚ my friends‚ internal and external factors that shaped the development of Beethoven’s music‚ personal issues on one hand‚ and societal issues on the other. He was‚ very simply‚ the right man at the right place at the right time. And his music gives voice and substance to
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was a capitol of Electorate of Cologne. Beethoven was also a well known musical virtuoso that conquered the musical world. Even though he departed from this world and went on to the afterlife‚ his effects and contributions are still felt on the musical world. He relocated to Bonn when he became age 21.
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significant mistakes in their individual careers. Beethoven‚ Napoleon Bonaparte‚ Berry Gordy‚ and Steve Jobs are all brilliant minds that most people can agree are geniuses‚ but people do not recognize
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"If a tree falls in the woods and no one is there to hear‚ does it make a sound as it falls?" Capricious as this query may appear I have had occasion to entertain just such a notion when‚ as a youth‚ I found an exploratory journey down a deep wood ’s path abruptly halted by the greeting of an enormous fallen tree. The colossal obstacle lay across my path and presented itself a motionless‚ silent guardian that protected that which lay beyond from my further intrusion. What a monumental disturbance
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third episode - acts as the 2nd theme of the Sonata. This varied form‚ known as the Rondo Sonata‚ can be found in some of Mozart’s works; Beethoven went on to use it frequently in the last movements of the works of his second period. Section | Part in the Forma Sonata | Tonality | Motif | Performer | Approach | Refrain | 1st T H E M E | E X P O S I T I O N | D M a j o r | A solo bars 1-4 | Soloist | The Refrain is introduced by the soloist‚ in low and high registers in
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