Aguiar‚ Arun. “Interview with Jhumpa Lahiri.” PIF 1Aug. 1999: n.pag. Web. 17Sept. 2011. Bala‚ Suman‚ ed. Jhumpa Lahiri: The Master Storyteller. New Delhi: Khosla Publishing House‚ 2002. Print. “Diaspora.” Oxford Dictionary Online. 2011. n.pag. Web. 17 Oct. 2011. Grossman‚ Lev. “Jhumpa Lahiri: The Quest Laureate.” Time Magazine 08 May 2011: n. pag. Web. 13 Aug. 2011. Kadam‚ Mansing G. “The Namesake: A Mosaic of Marginality‚ Alienation‚ and Nostalgia and Beyond.” Jhumpa Lahiri: Critical Prespective. Ed
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The pages of The Namesake drift across decades effortlessly‚ and suck the reader into the daily lives of two generations: the immigrants: Ashoke and Ashima‚ and their children: Gogol and Sonia. Naturally‚ it is also a chronicle of all their romantic relationships. As we witness their lives unfold before our eyes‚ we see love go right‚ and quite often‚ wrong. This allows for an analysis of the finer details of their personalities‚ their backgrounds‚ and how they affect their endeavors in the new
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The Namesake is a novel that was written by Lahiri in 2003. “Though substitute teachers at school always pause‚ looking apologetic when they arrive at his name on the roster‚ forcing Gogol to call out‚ before even being summoned‚ “That’s me‚” teachers in the school system not to give it a second thought. After a year or two‚ the students no longer tease….p.66-67” that shows the difficulties that Gogol face with his name at the school and how his teachers and his classmates found that pronouncing
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The Ganguli family in Jhumpa Lahiri’s The Namesake has a problem. The mother and father are traditional Bengalese from Calcutta‚ and they are not particularly interested in assimilating into the United States‚ their adopted home. Gogol‚ their son‚ however‚ was born in the United States and is somewhat embarrassed by his parents Bengalese practices. Gogol is also uncomfortable with his name. It is neither a Bengalese nor an American name. No one he knows has a name like his. In school‚ kids make fun
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The character Gogol in the book The Namesake is a dynamic character. Gogol is a dynamic because of many reasons‚ the most evident being his attitude to his family. Gogol’s attitude and feeling toward his family is a great example of Gogol being a dynamic character because he is always having thoughts of how embarrassing his family is as well as just disregarding his parents’ concern and love for him‚ but sadly his father passes away and he becomes more appreciative of his family and more home
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Julia Golubenko Mrs. Greenfield Close Reading and Critical Writing November 13‚ 2007 The movie Namesake was a fairly good depiction of the book. As a movie‚ apart from the book‚ it was good. The characters played their role well‚ emotional scenes were shown‚ and the point of the movie was easy to see. The problems that I had with the movie‚ was the fact that they cut out Gogol’s whole college life and Ruth‚ his first girlfriend. This was taking out a huge part of his life‚ where Gogol actually chose
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Jhumpa Lahiri’s book of short stories‚ Interpreter of Maladies‚ reflects a realism that is seldom read in fiction. The characters are neither boring nor extraordinary‚ but they do face situations and dilemmas that are indicative of real life. Though the stories are all unrelated‚ they do share similar themes. These reoccurring motifs are religion‚ New-world v .Old-world tradition‚ gender roles‚ and secrecy. These themes become vital in the development of each and every character in the work. In
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Mr. O’Sullivan APUSH 410 August 11‚ 2013 The Namesake Life in a new country is extremely difficult. New customs‚ foods‚ and an unfamilliar language can make foreign occupancy even harder. Some families are quick to learn and adapt. For others‚ it may take much longer. In The Namesake by Jhumpa Lahiri‚ the Ganguli family has a tough time adopting the American lifestyle so many of us are used to. For us it seems unimportant. Many of us work 9 to 5 and come home to eat dinner and watch the big
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In Jhumpa Lahiri’ s “Interpreter of Maladies”‚ Mina Das and her husband are put into an arranged marriage‚ where essentially she is told to love and live the rest of her life with a man in which she barely knows‚ all because that’s what her society expected of her. Societal expectations for women are also brought up in Charlotte Perkins Gilman’s “The Yellow Wallpaper‚” where the main character is seen as mentally weak and is overall degraded because she has postpartum depression‚ which is misunderstood
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‘Interpreter of Maladies’ explores how one culture adapts to living with another.’ Discuss. In Jhumpa Lahiri’s short story collection ‘Interpreter of Maladies’‚ the writer silhouetted the adaption of one culture to live within another in the form of allowing differences to exist and reaching a compromise. Lahiri drew the readers into the witness of different people battling with the obstacles they encounter. While some people like Mrs Sens‚ fell to the abysm of culture-displacement because of
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