Week 8 Assignment 2: Self Portrait By: James Roppel II Professor Michael Briere HUM 111 September 4‚ 2012 My self portrait would be the combination of Michelangelo (sketch of a male head‚ in two positions)‚ and the abstract self portrait of Stanton MacDonald-Wright (1890-1973). Stanton MacDonald-Wright collaborating with Morgan Russell developed “Synchronism”. An “aesthetic philosophy upon modernist theories of perception“. My portrait would show signs of Synchronism‚ a color based style that
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Charles Colson painted this “Portrait of a Creole Woman.” One attraction of the Old State Capitol’s interior is a large iron spiral stairway crowned by this beautiful stained glass dome. The building was one of the first in the South to be constructed of brick on a cast iron
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Portrait of a Woman with a Man at a Casement The purpose of the present paper is to discuss a very interesting piece of art‚ Fra Filippo Lippi’s “Portrait of a woman with a man at a Casement”. I will begin by the analysis of the formal qualities of the painting such as the composition‚ the color‚ line‚ texture‚ proportion‚ balance‚ contrast and rhythm. I will then discuss how the work fits a certain stylistic category. I will demonstrate that the painting reflects the social and cultural trends of
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Analysis of Hook by James Wright The poem Hook by James Wright is about two men going through difficult times that take place in a cold setting‚ much like their lives. They both have many things in common and many differences as well. The young man is seen as a pessimistic in this poem and the Sioux more of the optimistic‚ even with many sufferings he has gone through in his lifetime. The young man and the Sioux both have very different lifestyles‚ but what exactly is James Wright trying to prove
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In an Oregon Public Broadcasting (OPB) segment‚ the reporter talked with Paul Missal about his life story‚ including the process of the Hallie Ford painting. In the first sketch of the portrait‚ Mrs. Ford wore a bright blue floral jacket and rests her hands on a wooden chair. His sketches eventually evolved into a more formal approach‚ as Missal alters the chair to an elegant cushion chair‚ maintaining the same hand placement as in his
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Judith and Holofernes The story of Judith and Holofernes from the book of Vulgate demonstrates the extraordinary power a woman can possess. Judith‚ the heroine of the story‚ saves her town from destruction as the author conveys her strength‚ faith‚ and determination throughout her quest against the tyrannical Holofernes by using various archetypes and themes. Before the actual story of Judith begins‚ the author provides some background information. The exposition is set in the great city of Ninevah
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Paragraph 1 Portrait Head Jar is yellow crockery with a little bit of lime green color. The head of the jar is like an inverted egg with two large proportionally ears. Near the ears are the sideburns‚ which are prominent. On the forehead there is a slightly downward curve. The eyes are shaped like seeds. Looking down there is a cone shaped nose and closed lips representing with upward curves. The neck of the head is very short. The upper part of the head is cut horizontally‚ forming an oblique line
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Judith Jamison Quote on Judith Jamison “If you look at a dancer in silence‚ his or her body will be the music. If you turn the music on‚ that body will become an extension of what you’re hearing.” Fact • Judith Jamison was born on May 10‚ 1943 in culturally vibrant Philadelphia to gifted parents who valued the arts. • Jamison began taking dance lessons at age six at the Judimar School
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Edgar Allan Poe “The Oval Portrait” : THE CORRELATION BETWEEN THE MAIN STORY AND THE EMBEDDED ONE. “The Oval Portrait” is a short story written by Edgar Allan Poe involving the harrowing circumstances surrounding a portrait in a chateau. The final version of the text is a revision of an earlier story known as “Life in Death”. Poe improved his novella by eliminating narrator’s penchant for opium and modifying the conclusion. It allowed him to achieve purely didactic piece of writing
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curiosity on the meaning of life‚ questions about fate‚ and even examining his own life. I believe Richard Wright was trying to make sense of the meaning of life and the purpose of his own way of living. I began to notice Wright was trying to find the reasoning for racial segregation and the judging of one’s character based on race‚ religion‚ and even his way of life. At the age of eighteen‚ Richard Wright was soon drawn to H. L. Mencken because of a newspaper headline which stated “Mencken is a fool.” To
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