BARBARA KRUGER was born on January 26‚ 1945‚ in Newark‚ New Jersey. Kruger’s earliest artworks date back to 1969. These included materials using large woven wall hangings of yarn‚ beads‚ sequins‚ feathers‚ and ribbons‚ which embodied the feminist’s comeback of arts and crafts during this period. By 1979‚ Kruger stopped taking photographs and began to employ found images in her art‚ mostly from mid-century American print-media sources‚ with words collaged directly over them. These early collages‚
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The television show “Roots”‚ a miniseries airing in the late Seventies‚ provided gripping and emotional insight into the lives of a fictional family victimized by slavery. This controversial project attempted to depict some semblance of the horrific history of the American black community in a way that the primarily white population would willingly consume. Unfortunately‚ this depicted the African-American involuntary “immigration” experience as one that was terrible yet palatable‚ tying it up nicely
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Deborah Bailey Ken Brosky English 1 20 April 2014 Critical Analysis of Not for Sport by Barbara Munson In the blog Not for Sport by Barbara Munson‚ the argument is presented that teams should not use “Indian” mascots. Using a statement and response dialogue Munson argues against what she feels are “common misunderstandings on this issue” (Munson 1). Munson uses ethos‚ pathos and logos with weak results. Munson’s target audience are the general population and more specifically communities with current
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Root Cause Analysis (RCA) is a tool to find the root factor in a failure of a system or of a process. In a RCA‚ we always want to establish the chain of events first. Reviewing the second scenario we have a Mr. B‚ the patient‚ Dr. T‚ RN J and an LPN with no initial. Mr. B comes into the ER with a hip dislocation at 15:30. He is triaged‚ assessed‚ history obtained‚ placed in ER room and the ER physician is updated on patient status and history. Mr. B’s vitals at this time are B/P 120/80‚ HR 88
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In the famous poem‚ Root Cellar‚ author Theodore Roethke uses immensely visual and sensory images. The reader not only experiences going down into the cellar through the intense description‚ but also through the imagery‚ along with a few powerful similes that give life to the root cellar’s contents and creates a sense of awareness for the reader. In the first line‚ the words “dank as a ditch‚” are an example of a simile that brings some clarity to the cellar because now there is something to compare
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Santa Barbara County Courthouse Santa Barbara is not only well-known for the restful‚ peaceful scenes like a small town‚ but also famous for the purified atmosphere of the European city. Besides‚ the city is dressed up with the sophisticated art landscape‚ flavor wine‚ and the most outstanding thing is the Spanish revival architecture‚ Santa Barbara County Courthouse is a part of this unique construction. The Courthouse is so beautiful and imposing that Charles Willard Moore‚ a famous architecture
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Rhetorical Analysis of Barbra Ehrenreich’s “Cultural Baggage” Logan Quibell First Year Writing Seminar II EN106‚ Ms. Wilcox Barbra Ehrenreich’s “Cultural Baggage” essay found in Greene and Lidinksy (2012)‚ expresses the author’s views on traditional values that come from a family’s heritage. Ehrenreich is motivated to write about this subject because her way of being raised was challenged. She was raised to find new things to try‚ and not succumb to the mindset of just accepting something
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Name of Book: Nickel and Dimed Author: Barbara Ehrenreich Plot Summary: The author‚ Barbara Ehrenreich‚ works for the prestigious New Yorker magazine. One day over lunch with a famous editor discussing possible stories to write‚ she comments that the minimum wage is too low. She thinks someone used to more money should try to live on this pittance. The editor‚ Lewis Lapham‚ assigns her the story. This is not good news for Ehrenreich. Having spent her childhood with middle class struggling
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In this passage of The Bean Trees‚ author Barbara Kingsolver uses the subtle nuances of literary diction‚ language‚ imagery and syntax to develop a familiar‚ colloquial tone. Her demotic English creates the conversational tone – everyday spoken language lends to a casual‚ relaxed effect. Additionally‚ Kingsolver creates a genial sense of writing by building warm imagery and a spirited sense of comfort. The piece uses concrete‚ pedestrian diction. It expresses a casual encounter between Lou Ann
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"Nickel and Dimed: On (Not) Getting By in America." by: Barbara Ehrenreich Barbara Ehrenreich’s‚ Nickel and Dimed: On (Not) Getting By in America‚ is a book that strives to change the way America perceives its working poor. Achieving the American Dream can be difficult‚ if not impossible for many people with stumbling blocks and obstacles along the way as portrayed in Nickel and Dimed‚ due to the cost of living in contrast to the wage of low or middle class earners. Nickel
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