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    Expressionist Drama

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    August Strindberg’s play “The Ghost Sonata” represents an expressionistic approach to drama. Expressionist elements are obvious through Strindberg’s use of distortion of reality‚ “typing” of characters‚ and the use of musical pattern. In the lecture‚ we discussed that one of the elements of expressionistic drama was “extremism and distortion”‚ the lecture also mentioned how expressionistic drama can take the form of a dream to “capture inner feelings” of a character. Strindberg distorts external

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    Drama and Play

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    ------------------------------------------------- DRAMA Origin of Greek tragedy and comedy Drama‚ in the western world‚ begins with ancient Greece‚ where the two major forms of drama ……….. tragedy and comedy ………..were an aspect of religious ritual. Greek tragedy is believed to have begun in the sixth century B.C. with Thespis who introduced the first actor on the stage. The first dramatic dialogue lies in the conversation of this actor with leader of the satiric chorus. The dramatic element

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    ELEMENTS OF DRAMA

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    Elements of Drama 1. script: the written dialogue‚ description‚ and directions provided by the playwright. 2. plot: the events of a play or arrangement of action‚ as opposed to the theme. 3. exposition: the part of a play that introduces the theme‚ chief characters‚ and current circumstances. 4. rising action: a series of events following the initial incident and leading up to the dramatic climax. 5. climax: the point of greatest intensity in a series or progression of events in a play‚ often

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    medieval drama

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    Medieval Drama Jugglers‚ folk- plays‚ pageants: The beginning of the Middle Ages started by the fall of the Roman Empire. The corrupt Roman drama had come to an end‚ and the actors became some disreputable jugglers and inferior minstrels who wandered all over the country. The performances of these social outcasts were crude and immoral. However‚ they continued for centuries‚ because they were the only source for dramatic spectacle. Other sources of amusement too can be found in the country

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    Elizabethan Drama

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    Characteristics of Elizabethan Drama From Elizabethan Drama. Janet Spens. London: Metheun & Co. Of the three types of plays recognized in the Shakespeare First Folio -- Comedies‚ Histories‚ and Tragedies -- the last has been the most discussed annd is clearest in outline. 1. Tragedy must end in some tremendous catastrophe involving in Elizabethan practice the death of the principal character. 2. The catastrophe must not be the result of mere accident‚ but must be brought about by some essential

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    Family Drama

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    Living with family is similar to living to living in the royal palace. There is always going to be guards watching over you’re every move‚ and certain standards you need to live up to. You will enjoy the luxury of an elegant house‚ clean laundry and slightly bigger budget‚ but it will slightly defer from the king and queen realm. It will affect every detail of your life‚ right down to the way you talk‚ the food you eat‚ how often your friends can visit and how much freedom you have. You will quickly

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    Elements of Drama

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    ELEMENTS OF DRAMA A. PLOT: This is the arrangement of events in a play‚ the selection and order of scenes based on a story. A story is different from a plot in a way that a story has full account of events while a plot has a selection of scenes from the story in chronological order for stage presentation. The plot has elements like exposition; this is everything the audience needs to know about a play. Conflict; this is the clash of opposing forces. Climax; this is the point at which one of the

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    Drama Review

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    Macbeth Drama Review A drama review is written for a magazine or newspaper and its purpose is to give people an idea of what the drama is like before they see it. You are writing for your peers‚ and are attempting to sway them either in favour or against seeing this drama after having read William Shakespeare’s drama‚ Macbeth. Begin by providing a summary of the drama’s plot. Then explain some of the drama’s strengths and weaknesses in terms of the choices made by the director/producer.

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    The Language of Drama

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    The Language of Drama Prepared by: Nicolle Anne F. Racadio Mary Anne C. Garcia Mary Joyce Angeline S. Driz Reynaida V. Calderon Lovely Mica B. Concepcion Powerpoint Templates Page 1 What is Drama? Form of literature that  Brecht (1964:15) says that tells a story through the proper plays can only be understood when words and actions of performed. the characters.  Stanislavski asserts that it is only on stage that It is also called a play‚ drama can be revealed in usually all its’ fullness and

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    Essence of Drama

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    Drama is the specific mode of fiction represented in performance.[1] The term comes from a Greek word "dran" meaning "action" (Classical Greek: δρᾶμα‚ drama)‚ which is derived from "to do" or "to act" (Classical Greek: δράω‚ draō). The enactment of drama in theatre‚ performed by actors on a stage before an audience‚ presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts‚ unlike other forms of literature‚ is directly influenced by this collaborative

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