was a two-car parking lot next to an old barn. My fourth grade teacher‚ Mr. Fuller‚ would park there every morning. But his car was not there this Sunday evening. After walking through the parking lot‚ you would enter a memorial park. There were a couple old canons on display‚ and an old steam engine under a wooden roof with wooden side-rails. The evening was a quiet one. There was hardly any noise‚ except for the occasional passing car. The cool moist air required my brother and I to wear warmer clothes
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Sunday Bloody Sunday (John Schlesinger) 1971 “Cinema and television sap and leach the narrative power away; insidiously impose their own conformities‚ their angles‚ their limits of vision; deny the existence of what they cannot capture. As with all frequently repeated experience‚ the effect is paradigmatic‚ affecting by analogy beyond the immediately seen – indeed‚ all spheres of life where a free and independent imagination matters”. That’s how John Fowles felt about new medias in 1968‚ when
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In the Evening Hawk‚ Robert Penn Warren makes extensive use of figurative language‚ imagery‚ and symbolism to describe a foreboding scene that calls attention to the passage of time. He uses simile and the symbol of the Evening Hawk to convey a scene in which he suggests that man is being judged. Warren calls attention to the slow‚ grim passage of time with simile‚ suggesting that “history [drips] into darkness like a leaking pipe in the cellar.” Were there “no wind‚” he says‚ we might
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"Hospital Evening" and "Monday" by Gwen Harwood are two poems that explore the hardship of immigrants in Australia. Written in the late 20th century after the "White Australia Policy" was abolished and thousands of immigrants landed on Australian shores‚ the poems revolve around Krote‚ a German music teacher‚ who has migrated to Australia and his struggles with racism and the harshness of the Australian environment. The poems negative construction of Australian people acts as a critique of the Australian
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Musical evening No‚ I haven’t been to a musical (lately). But Friday "my" choir and I had an appointment with‚ well‚ the rest of the population here‚ really. The local choirs (5) and whoever else who wanted to come along‚ were gathered to sing. The choirs had 2-3 songs each in between‚ but the rest was pure singalong (not karaoke..). Before going I felt as if I was a hundred years old‚ because that’s what I expected the average age of the people attending to be - but no such thing. Admittedly
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An evening on the beach Night was falling. The setting sun’s red rays lit up the sky above the western horizon. I could see an oil tanker making its way across the sea just on the horizon. Soon the sun disappeared below the horizon and the sky turned dark but my two friends and I sat on the beach gazing at the place where the sun went down. Sunsets are mesmerizing as we discovered. Only when the mosquitoes started coming in great number were we brought back to reality. We picked ourselves
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Sunday In The Park In the story‚ "Sunday in the Park" by Bel Kaufman the characters introduced is a women (narrator/protagonist)‚ who is with Morton (husband)‚ and her three year old child (Larry) in the park on a pleasant Sunday evening. In the park there is another child (Joe) who is playing near Larry and starts to throw sand at Larry. The women says not to throw sand because it may heart someone’s eyes. Morton stands up from his bench and wants to stop this fight; the big man (Joe’s father)
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"Sunday Bloody Sunday" "Trenches dug within our hearts‚ And mothers‚ children‚ brothers‚ sisters torn apart" -- Matthew 10:35: "For I have come to set a man against his father‚ a daughter against her mother‚ and a daughter-in-law against her mother-in-law." "Wipe the tears from your eyes" -- Revelation 21:4: "He will wipe every tear from their eyes..." "We eat and drink while tomorrow they die" A brilliant ironic take on I Cor 15:32 "If the dead are not raised‚ let us eat and drink‚ for tomorrow
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Tuesday‚ March 6‚ 2007 Ode to Evening - William Collins Introduction: “Ode to Evening‚” is one among the most enduring poems of William Collins. It is a beautiful poem of fifty-two lines‚ addressed to a goddess figure representing evening. This nymph‚ or maid‚ who personifies dusk‚ is chaste‚ reserv’d‚ and meek‚ in contrast to the bright-hair’d sun‚ a male figure who withdraws into his tent‚ making way for night. Thus evening is presented as the transition between light and darkness. Collins’
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child I looked forward to celebrating Easter Sunday each year. The smell of vinegar filled the air as I sat patiently waiting for my grandmother to finish boiling a dozen of the eggs we saved for breakfast. My grandmother was a fairly plump woman in her late fifties. She has curly black hair with streaks of gray that mostly ran along the sides of her head. She was strenuously preparing a Sunday dinner for us to share with our church later that evening. Since I was nine‚ it was my job to make sure
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