In scene four of “ A Streetcar Named Desire” Blanche attempts to convince Stella that she can get out of her situation with Stanley, but Stella insists she is not in anything she wished to get out of. Stella makes it clear that she is happy about her relationship with Stanley through their sexual chemistry by saying “ But there are things that happen between a man and a woman in the dark”. Stella believes that there is nothing wrong and she can’t understand why Blanche is so frantic. Blanche tries to persuade Stella that her situation with Stanley is just desire by arguing, “ What you are talking about is brutal desire- just- Desire!- the name of that rattle-trap streetcar that bangs through the Quarter, up one old narrow street and down another…”…
A Streetcar Named Desire was based in the time it was written – New Orleans in 1947. The late 1940’s was a postwar era as the United States rose as a victorious superpower above the rest of the world. This era was also the beginning of the Baby Boom – a time of high marriage and birth rates in the country. There was a postwar surge in luxury with the end of rations and the emergence of better, cheaper cars and entertainment. Although there were many positive advances during the time, there was also the dark cloud of the Soviet Union as the Cold War was brewing and the atomic bomb was being threatened once again.…
Blanche’s fall from grace would not have been as devastating if she had grown up anywhere but the traditional, family-oriented, socially cruel South. And surely strong, confident Stella would not have stuck with the crude, abusive Stanley had she lived elsewhere, somewhere far away from the dirt and commotion of New Orleans in the forties that obscured the chaos and brutality occurring behind its closed doors. But the women are Blanche DuBois and Stella Kowalski, not the Bennet sisters. As the Old South began to die, they looked for salvation in different directions, both ultimately ending in tragedy. That place, that time, was just not hospitable to the women. So Stella became submissive, the archetype that would soon pervade 1950s Americana, the woman that exists to serve her man, who exists to serve himself. And Blanche became an anachronism, a “woman out of time”, literally and figuratively. Her flourishing springtime had long past. And that hot, horrible summer in New Orleans ushered in the fast-approaching fall of regrets and broken dreams, the autumn that doomed Blanche to a mental…
Throughout A Streetcar Named Desire, Williams’s sympathy lies with Blanche. He creates this sympathy, in a large part, from the obvious trauma she has experienced due to the loss of her husband. This traumatic loss of her beloved was a driving force for the downward spiral that leads Blanche to Stella’s doorstep. However, the events that drive Blanche to her ultimate defeat do not begin until after Allan’s death, and even she admits, “After the death of Allan – intimacies with strangers was all I seemed able to fill my empty heart with … I think it was panic, that drove me from one to another, hunting some protection” (). Here, Williams implies that Blanche is not like this herself; the disintegration of the loving marriage she once clung to dissipates her naïve, youthful innocence and leads to a bad path. Blanche’s heartbreak following her first love causes her to descend into the degeneration that becomes her ruin, which is a fact that lends empathetic justification and a sorrowful light to her actions.…
Streetcar Named Desire’s Tennessee Williams explains how Blanche and Stella are both living a lie and existing in a fantasy, where in time they must come face to face with their own realities. People that live lives they wish to have eventually with have to come to terms and realize to enjoy the life they have and stop comparing their lives to…
Marie was the type of person that would sacrifice everything if that can help someone. For example, she (although temporarily) gave up her dreams of going to Paris to study at the Sorbonne to be able to help her older sister Bronya (Bronislava) achieve that same dream. She exiled herself in the Polish countryside and took a job as a governess so that she could support Bronya…
The play “streetcar named desire” written by Tennessee William in 1949, which was received the Pulitzer Prize for drama in 1948. The play commenced on Broadway on December 3, 1947 in the Ethel Barrymore Theater. This play is about life of a woman in 19th century who could not come out of the fantasy to the real life that her self instinct and her surrounding creates extra problems in her life that makes her hide her historical and physical appearances and lied her sister and suitor. On the other hand, the poem “The Soul Selects Her Own Society” by Emily Dickinson, in 1890, this poem believed toHhave been written in 1862, a year during which Dickinson supposedly produced more than 300 poems. This poem suggests the persona of this poem in order…
Dubois shows a mixed array of actions that confuses the audience into whether she is to be sympathized or not. At the beginning of the play, the author Tennessee Williams shows us the arrogant and demanding side of Blanche, provoking the audience to dislike her, but as the play goes on, Williams gradually reveals more about Blanche’s troublesome past, making the audience sympathize her more. Blanche arrives at the Kowalski household— Elysian Fields, dressed fancily. “She is daintily dressed in a white suit with a fluffy bodice, necklace and ear-rings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district.”…
This play reflected a part of society that was frowned upon on a social level in the mid 20th centuary. Today a play like this is concidered normal, or average as far as the contrivisrail espects are concerned, but in the 40s a character like Blanche Dubois was something that challegned the moral of the ideal american family. This play is about Blanche DuBois, a schoolteacher from Laurel, Mississippi. She arrives in New Orleans to live with her sister, Stella Kowalski. Blanche told her sister that she lost their their ancestral home Belle Reve, following the death of all their remaining relatives and husband. She mentions that she has been given a leave of absence from her teaching position because of her bad nervous breakdowns.…
Kazan’s A Streetcar Named Desire: A Key to Confusion? Tennessee Williams’s A Streetcar Named Desire and Elia Kazan’s film version of the play share the same characters and the same story. Except for the opening scene, Kazan doesn’t change the plot at all. To emphasize the meanings of death and desire, the movie shows Blanche taking different streetcars in the area surrounding where Stanley and Stella live—and the viewer can imagine how difficult it is for Blanche to adjust.…
Symbolism is an important literary device used to give the reader an understanding of a character. Tennessee Williams, with the use of symbolism, brings his character’s alive in his play, A Streetcar name desire. In the story the reader follows a young southern woman by the name of Blanche Dubois as she moves to New Orleans to live with her sister, Stella, and her brother-in-law, Stanley. From there the reader slowly sees the Blanche’s descent into madness as she begins to lose her grip on reality. In the play Blanche is characterized using symbols like, bathing, light, and music.…
Perception plays an integral role in the fabric of human existence, simply because it affects how we view ourselves and also others view us. Blanche Dubois, Stanley Kowalski, Harold Mitch, and Stella Kowalski all learned this through their continuous evolution throughout “A Streetcar Named Desire” by Tennessee Williams, however by focusing on Blanche's relations and also her past we are able to see the role that that perception plays in her life. When Blanche says,“A woman's charm is fifty percent illusion” this becomes increasingly significant because it is a demonstration of her self-perception about the role of a proper, woman in society. With that being said Blanche does not only believe this general perception, rather she embraces it so…
An illusion is something that deceives by producing a false or misleading impression of reality. In Tennessee William's A Streetcar Named Desire, characters such as Blanche Dubois, Harold Mitchell (Mitch), and Stella Kowalski often use illusion in an attempt to escape reality. Blanche Dubois is a woman who uses fantasy in order to protect herself from her own fears and the undesirable circumstances which occur in her life. Mitch uses illusion by regarding Blanche as the perfect woman in order to escape her lies and false reality. Stella uses illusion to make it seem as though she has a happy marriage in order to make her life and the abuse from Stanley bearable.…
Blanche has been fired from her job as a school teacher for sleeping with a student. She has been kicked out of her town for being a prostitute. Blanche needs to feel young and secure. She ends up at her sister, Stella's, home, lonely and full of lies. Because of all her made up stories, Stella does not believe it when Blanche says Stella's husband raped her. This causes Stella to force Blanche to leave. She tells her she will be going to rest in the country but she is really going to a mental institution. Although Blanche is upset at first she becomes calm and says, “I have always depended on the kindness of stranger.” She has become completely disconnected from reality. She believes this is the man she's been waiting for to save her.…
To what extent do the Kowalskis and the DuBois represent a clash of cultures in “A Streetcar Named Desire”?…