This play is a love story that is split between four sets of lovers; Hippolyta and Theseus, Hermia and Lysander, Helena and Demetrius and Titania and Oberon. The story begins with a distraught father, Egeus, asking the Duke, Thesus, to bring the law upon his daughter's, Hermia’s, head. His request is made because he wants her to marry Demetrius and she has disobeyed him by seeing Lysander in secret. The Duke gives Hermia up to the day of his wedding to decide to obey her father or suffer the consequence of consignment to a nunnery if she chooses to oppose him. This decision spurs Hermia and Lysander to meet in the woods to facilitate their elopement. Things get interesting at this point because Puck, a fairy, carries out Oberon’s request to meddle in the lovers’ lives. Mistaken identity occurs with hilarious consequences. The tale of Titania, Oberon and Bottom intersect as a subplot, as well as the play within the play. The play ends with all the lovers being wed.
Theseus and Hippolyta are ecstatic about their wedding day. The scene continues with Egeus, who wants his daughter, Hermia, to marry Demetrius instead of Lysander. Egeus visits the duke of Athens, Theseus, to request the enforcing of the old Athenian law which states that a disobedient daughter may be sent to her death by her father. Hermia could accept the death sentence, marry Demetrius, or join the nunnery. The chapter ends with Lysander and Hermia planning their elopement, and telling Helena, Hermia’s childhood friend, of their plans.
Quince, Snug, Bottom, Flute, Snout and Starveling meet to discuss a play that they will enact on the Duke’s wedding night. Quince is the main organizer and Bottom appears to be the person that wants to play everyone’s part. Quince gives everyone their roles and asks them to meet the following night in the palace woods.
This scene opens with the fairy and Puck conversing. Both Oberon and Titania enter and start arguing. The audience learns that nature is being affected negatively by this and Oberon suggests that she should just give him the changeling boy to end it all. She refuses, and Oberon retaliates by plotting, with Puck, to acquire the flower, ‘love‐in‐idleness’, to let her fall in love with the first creature that she sees. This scene continues with Demetrius’ blatant rejection of Helena in the woods. The scene continues with Oberon informing Puck that he is going to drop the love juice on Titania’s eyelids. He instructs Puck to do the same to Demetrius.
Titania enters the wood and instructs her fairies to sing her to sleep. Oberon then arrives and places the love juice on her eyelids. As a result, Titania falls in love with Bottom, the first ‘creature’ that she sees. Lysander and Hermia then make their entrance in the woods, where Hermia suggests that Lysander sleep further away from her, for the sake of propriety. After this scene, Puck enters and mistakenly anoints the Lysander, instead of Demetrius, with the love juice. Lysander awakes to see Helena and declares his love for her. Helena believes that he is mocking her and storms off angrily, with Lysander in tow. Hermia then awakes from a bad dream finding herself alone.
The craftsmen met in the woods to rehearse the play. They discuss, and decide, on changes that are to be made to the play and the rehearsal begins. During the rehearsals, Puck is watching and sees Bottom leave the scene. Puck follows him and, without his knowledge, transforms Bottom’s head into that of an ass. Most of the artisans flee in terror. Bottom suspects that his companions are trying to make an ass of him and decides to sing to himself. The song awakens Titania, who immediately sees Bottom and falls in love with him. Titania asks him to remain with her in the woods; she will have him attended to and cared for by her fairies. She summons Peaseblossom, Cobweb, Moth and...