The time period following World War I and the 1960s were eras of chaos and rebellion in the modern era. World War I, as well as the years following it was a major period of conflict when murderous acts were committed. The sixties was also a chaotic time period due to the new ways in which teenagers were rebelling, as well as other conflicts, such as the Vietnam War. Many writers took note of these societal adjustments. Joan Didion and William Butler Yeats, for example, both wrote about their reactions to the undergoing transformations occurring in the world. As a result of the chaotic time periods they were written in response to, Joan Didion 's collection of essays, Slouching Towards Bethlehem and Yeats’s poem, “The Second Coming” share many themes including…
The timeless essence and the ambivalence in Yeats’ poems urge the reader’s response to relevant themes in society today. This enduring power of Yeats’ poetry, influenced by the Mystic and pagan influences is embedded within the textual integrity drawn from poetic techniques and structure when discussing relevant contextual concerns.…
Conflict is the basis of all human interaction and hence is an integral part of human life. Through ambiguous yet comprehensive treatment of conflict W. B. Yeats has ensured that his works stand the test of time and hence have remained ‘classics’ today. Through my critical study I have recognised that Yeats’ poems Easter 1916 and The Second Coming are no exception. Yeats’ poetic form, language and use of poetic techniques; such as juxtaposition, allusion, and extended metaphors, alert audiences to both the inner and physical conflict that are the foundations of both poems. It is through this treatment of conflict that supplies audiences with the ability to individualise the reading and hence engage a broad range of audiences despite their unique contexts throughout time.…
An Irish Airman foresees his death is about a man who has no opinion on the war, ‘those I fight I do not hate, those I guard I do not love’ this is ironic as he has no feeling as to who wins the war yet he is fighting for one side. The theme of the poem is simple and he structure is unbroken and composed, this is contrasts the idea of the poem as the airman knows he is going to die, ‘I know I shall meet my fate’ and therefore the calmness of the poem and the calmness of the airman is seen as peculiar as other people in this situation would be more panicked which is why the airman stands out as he keeps his mind at ease and reflects on his life. The airman who is thought to be Major Robert Gregory shows that he thinks that the war does not make sense to him at all and does not care who wins the war or who loses, as he does not see one as an enemy or one as an ally, ‘those that I fight I do not hate, those that I guard I do not love’ his feelings towards them are so because he lives in a sheltered part of Ireland and he implies if he was going to pick a place to fight for he would pick his hometown, ‘my country is Kiltartan Cross, my countrymen Kiltartan’s poor’ this shows that he is not loyal to Ireland but yet to the people who he sees on a daily basis and the people he cares about in Kiltartan Cross. The war also does not affect the people of Kiltartan Cross as they have nothing left to lose, ‘no likely end could bring them loss. Or leave them happier then before’ this shows that the airman wants to change how badly the people of Kiltartan Cross have been living as there was severe civil war in Ireland, and that the end of the current world war will not affect the state that Ireland is left in. The airman suggests that he did not fight to be labeled as brave and courageous, ‘nor law nor duty bade me fight, nor public men, nor cheering crowds’ this suggests that the airman has not signed up for war because for other people’s expectations or because he was forced to…
The 20th century is replete with personages who helped set the standards or defined the course of national or international history. In the artistic world, many great individuals contributed to making the period interesting, revolutionary and creative.…
William Butler Yeats was born in Dublin, Ireland. His father was a lawyer and happened to be a well know artist of the time. Yeats was educated in both England, specifically London, and in Dublin, Ireland. Although the majority of his summers were spent in the west of Ireland in the family's summerhouse. Yeats was involved in societies that attempted to write and compose Irish literature. His first piece of literature appeared in 1887, but in his earlier period his dramatic production outweighed his poetry both in bulk and in import. Alongside Lady Gregory he founded the Irish Theatre, which became the Abbey Theatre, which served as its chief playwright until John Synge joined the movement. After 1910, Yeats's dramatic art took a sharp turn toward a static, and…
The recently deceased Seamus Heaney (1939 - 2013), was an Irish poet who explored a wide range of themes in his poetry, covering subjects such as Iron age bog bodies, modern day religious and social conflict, Ancient Irish history, and autobiographical work with his trademark imagery and symbolism. Heaney was highly critically acclaimed as a poet, and received numerous awards during his lifetime, most notably of which was the 1995 Nobel prize in literature for “works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past”. Heaney was regarded by some, such as the American poet Robert Lowell, as “the greatest Irish poet since Yeats”, and the quality and quantity of his poetry certainly reflected this statement.…
The Irish Rebellion of 1641, his mother reading Irish folktales to him as a child, and William Blake’s use of fiction influenced William Butler Yeats to write “The Curse of the Fire and the Shadows”. Yeats is a huge part of 20th century English and Irish literature and one of the most important writers that started the “Irish Literary Revival” and was responsible for starting a his own literary club called “The Rhymers Club”. In addition to being a great poet Yeats was always prominent in writing short stories and plays. One of Yeats’ individual characteristics is his split sense of certain situations. He was very spiritual and yet managed to cling to a skeptical sense of artistic…
Within The Second Coming there are many images, which represent change. One of the most prominent of these is within the opening line of the poem, “the widening gyre”. This gyre is a direct symbol of the change Yeats was foreseeing. It represents the inevitability of historical process, and more directly Yeats’ comment on the transition of a civilization built upon Christian values changing to more malevolent and violent morals.…
Yeats, William. “The Second Coming” 100 best-loved poems Ed. Phillip smith, New York. Dover, 1995. 6. Print.…
WS is Yeats' melancholy lament for the progression of time and the transitory nature of the human life which draws upon our own feelings of mutability to resonate beyond the page. Yeats introduces time to the poem with the reference to autumn, creating tactility in the physical image but more importantly an effected ambience. Yeats employs autumn as an objective correlative, divulging his feelings of progression towards poetical and physical sterility as he entered the "twilight" years of his life, a change which he resolutely resents. This progression is contrasted starkly against the temporal wild swans whose "hearts have not grown old", in fact Yeats views the swans, "wheeling in great broken rings," as transcendent of time, breaking free of the gyres applicable only to the temporal earth and human kind. His fascination with their changeless state is evident as he positions the swans both in water, the mundane world and then includes their transcendence into the air, the eternal and spiritual, an attribute that he is most envious of, to the point that “it makes his heart sore.” The poem leaves us in admiration of these eternal creatures that transcend change and allows us to reflect, as Yeats did, upon our own struggle with the…
John Keats’s writing genre varied from work to work, as there were many in narrative, lyrical, and epic poetry (Henry 187). His early poetry was successful for its strong emotion while using themes of love, the relationship between poetry and nature, and the eternalness of beauty (Henry 187). He also enjoyed major success that endures to this day in “Laima”, “Isabella”, and “The Eve of St. Agnes” (Henry 187). Critics celebrate the dexterity, the wonderful imagery, and the sympathy that is in all of these poems (Henry 187). Though Keats had many successful poems, there was one early poem, Endymion, that was quite a failure (Henry 188). Many readers complained of Keats’s confusing and overuse of metaphors (Henry 188). Therefore, Keats was forced to change his style of writing because he was living solely off of the profits he received from writing (Henry 188). Keats’s writing also exemplified the Romantic idea of going back to a simpler, better time (Bergum…
Humanity’s ungraspable longing for a sense of permanence such for beauty, aging and love, acquires tones of both contemplation and despair such seen in The Wild Swans At Coole. This reception of despondency is portrayed in the juxtaposition by the “sore heart” of an “aging poet”, with the “brilliant creatures” whose “hearts have not grown old”. In addition to this physical pain, it is the sense of loss that signifies humanity’s desire for something that is lasting. Yeats clearly admires the nature; especially the “autumn beauty”, as he “counts” his “nineteenth” one. The water imagery throughout described as detailed observations of “brimming” and his careful observations of the swans displays his meditation and appreciation through nature, but then echoes his envy towards their beauty and apparent immortality being different to himself. Yeat’s life develops symbolically as a “woodland path”- eventually becoming metaphorically “dry” and miserable. This portrays a sense of reflection as time passes, looking back, showing that Yeats “unwearied still” holds onto his desire to love, despite already knowing it is unaquirable as it has…
Yeats’ “The Second Coming” and Thomas’ “Do Not Go Gentle into that Good Night” are two contrasting poems with passionate tones. Yeats’ poem describes a new time that will bring disorder to the world. He explains his ideas in a negative tone that presents a frightening mood. On the other hand, Thomas’ poem is about the struggle against death. He urgently begs his father to battle against death, creating a sad mood. In each poem, figurative language, the theme, and the mood are used to create the authors tone.…
The three-stanza poem seems to create three distinct stages of Autumn: growth, harvest, and death. The theme going in the first stanza is that Autumn is a season of fulfilling, yet the theme ending the final stanza is that Autumn is a season of dying. However, by using the stages of Autumn's as a metaphor for the process of death, Keats puts the concept of death in a different, more favorable light.…