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Winzer's Dichotomy

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Winzer's Dichotomy
Within the contemporary art practice, artist Thomas Demand fabricate reality with found objects and frozen the moment by taking a photo of the ‘reality’ in order to emphaiz political exploitations of archival organizing at length and to expresses the power struggle of intepretation power of ‘truths’ between subaltern minority and dominant power. Winzer writes in this regard: ‘The moment one drops the point of view of the collecting and observing subject and assumes the perspective of the collected oject, the violence inherent in all sorting, re- and devaluing, fixing and defing becomes apparent. This archival transformation from subject to object can be put to political use with frightening results.” On the other hand, however, these political

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