Virginia Woolf Research Paper

The evolution of Feminine writing with time Introduction
The debate that started with Virginia woolf in her novel "A Room Of One 's Own" has travelled through times and is still alive in the category of feminist stylistics. The discussion has evolved about the existence of peculiarity of women writing as compared to men 's writing. In 1929 Woolf has termed it as The 'female sentence ' which she believes is visible in a women 's writing. This idea of Woolf was scrutinised by various feminist and further explored by many critiques and contemporaries. I aim to establish how this strand of feminist stylistics has evolved over a period of time from the very early work of Virginia Woolf in "A room Of One 's Own". I will examine how Virginia
Her writing was flowery, a bit chunky or torn apart. It seemed that Mary had nothing inherited from Austen 's writing. In fact, it is completely different as first she broke the sentence and then she breaks the sequence. Woolf feels excited about Mary 's treatment of relationship between Chloe and Olivia. Indeed, a friendship between females was one thing that Mary had endorsed by her writing. If it was a friendship between opposite sexes Mary had written about, it was likely that Woolf might have criticised her for continuing to portray women as a lover and expressing her anger through it. Women were considered to be in relation with men, not in relation with being left on shelves, not in relation with romantic love. Woolf asserts that Mary 's extraordinary piece is perfect if it is done in way to create. Mary 's writing had the specific feature that she would call a "Female sentence". Although she drives to an idea that women have a distinctive way to write but as the situation of women changes with time her writings would also be affected by that change. And that this change would be for the
In regard to feminism, a lot of work was done in feminine writing. Along with "The feminine mystique" there was one popular manifesto by Helen cixous. "The laugh of medusa",originally written in french but translated in English and first published in 1975. Helen Cixous being a French feminist is carried away by the notion of French feminism which is, women must realize that their centre of consciousness is related to their body. The aggressive writing of Cixous never let the glory of the manifesto down as it comes calling "now is the time to write!". She claims as other feminists, it is only through the written word, women can define themselves. Helen Cixous coined the famous term "écriture feminine" or feminine writing in her seminal essay "The laugh of medusa". The topic feminine writing had interested feminist of all periods, because it was yet undiscovered how feminine writing look like. In Chicago journal entitled The Laugh of Medusa, Helen Cixous states how women 's own body is related to her writing and how her body would free her from all constraints that prevailed in her mind about writing. As sara mills states in her book feminist stylistics that it is rare that French feminist and Virginia Woolf is discussed together. But the feminine writing is a stream in which if not