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Vertigo And Alfred Hitchcock

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Vertigo And Alfred Hitchcock
The exception to the midcentury dormancy of crime film was surpassed in the early 1950s, with the emergence of the British-born Hitchcock as the leading director of Hollywood crime movies. Though he departed from film noir, he borrowed extensively from it in both style and themes. More than any of his contemporaries he succeeded in incorporating aberration & Freudian psychology into his films well exemplified by Spellbound (1945)/ (1946) –the tale of a man whose troubled past surfaces with the help of an analyst; Rear Window (1954), North by Northwest (1959), Vertigo (1958). Hitchcock also made numerous noirish films centred on the psychology of crime (Rafter 29). Crime is one of the threads that united Hitchcock’s movies in the 1950s peak
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