Usage Disguising Themes in Twelfth Night

Topics: Love, Twelfth Night, Gender Pages: 11 (4267 words) Published: November 8, 2010
Twelfth Night- Disguise VS Identity
Disguise in Shakespeare’s Twelfth Night has many purposes. Even though disguising one's gender is a common theme in Shakespeare, some say it is instates bonding and allows a way for it to happen. It is known that it is used as a necessity for survival. In Twelfth Night, Disguise and Identity is shown in feelings, appearances and decisions. Disguise is an occasionally seen force which drives one’s mind into believing in something unrealistic. Disguise and Identity get mixed up which causes confusion. Both factors are compared in the meaning of Truth.

Viola contributes a great deal to the theme of Disguise versus Identity in Twelfth Night. Viola must bundle up her personal emotions which she has for Orsino. “Love sought is good, but given unsought is better” (Act iii, Scene I). The quotation describes Viola’s love for Orsino and her effort to disguise it causing false identity. The false identity confuses the characters’ in the novel as well as the readers. Viola’s distinct personality of her own individuality is that she is madly in love with Orsino and her effort to hide it. In Act V, Scene I, Viola reveals her hidden love for him which proves the fact that Identity overcomes Disguise. Viola has affected others by her attempt to disguise her love for Orsino which relates to what Viola went threw which was disguising her appearance to be with the onesheloved As Cesario, Viola learns a lot about Orsino that he might not have revealed otherwise. Thinking Cesario is a normal man, which he is not, Orsino confided to him about his love for Olivia. “If music be the food of love, play on... “(Act I, Scene I). This quotation describes Orsino’s aching love for Olivia. As for her appearance, she disguised herself as a man. She wore man clothes, cut her hair, put on a moustache and pretended she had a deeper voice. She did this because she wanted to work for Count Orsino. The difference of Identity and Disguise is that if Orsino had met Viola as a woman, he might have projected false confidence. For example, he was afraid to let his guard down, relax, and act normal in front of her. Proof of this is that perhaps Viola would have never learned what Orsino was truly like inside and never would have fallen in love with him. Identity is compared with disguise in the situation of the way an individual looks. An example is that Viola’s t

Twelfth Night

The theme of counter point engulfs the play the Twelfth Night. The story begins and ends on the axis of counterpoints. This theme is apparent throughout the cast and story line.

In Illyria, a nobleman named Orsino lies depressed longing for the love of a noblewoman Lady Olivia. Orsino cannot have her because she is in mourning for her dead brother and father and refuses to be married during her mourning period of seven years. This is the first great obstacle in the story, which is presented, in terms of counter point. The other does not return the love of one.In the meantime, off the coast, a storm has caused a terrible shipwreck. A young, woman of noble parentage named Viola is swept onto the Illyrian shore. Finding herself alone in, Illyria, she assumes that her twin brother, Sebastian, has been drowned in the wreck. This will later become a major pin of the counter point in the play but as it is this becomes a lose end to be tied up. Faced with the believed death of her brother and her newfound poverty she tries to figure out what sort of work she can do. A friendly sea captain tells her about Orsino's love of Olivia, and Viola says that she would like to work in Olivia's home.However LadyOlivia Eventually, Viola and Orsino make their way to Olivia's house, where Olivia welcomes Cesario as her new husband, thinking him to be Sebastian, whom she has just married. Orsino is furious, but then Sebastian himself appears on the scene, and all is revealed. The siblings are joyfully reunited, and Orsino realizes that he loves Viola, now that he knows...
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