Of course, the narrator’s eventual insanity is a product of the repression of her imaginative power, not the expression of it. The narrator does not have a say in anything and when she finally mentions something to John, he always come up with an excuse. For example, “At first he meant to repaper the room, but afterward he said that I was letting it get the better of me, and that nothing was worse for a nervous patient than to give way to such fancies” (Gilman 165). After he makes that excuse he continues on to mention “You know the place is doing you good and really, dear, I don’t care to renovate the house just for a three months’ rental” (Gilman 166). What John doesn’t realize is that by not giving way to these “fancies,” he is making his wife’s condition worse instead of
Of course, the narrator’s eventual insanity is a product of the repression of her imaginative power, not the expression of it. The narrator does not have a say in anything and when she finally mentions something to John, he always come up with an excuse. For example, “At first he meant to repaper the room, but afterward he said that I was letting it get the better of me, and that nothing was worse for a nervous patient than to give way to such fancies” (Gilman 165). After he makes that excuse he continues on to mention “You know the place is doing you good and really, dear, I don’t care to renovate the house just for a three months’ rental” (Gilman 166). What John doesn’t realize is that by not giving way to these “fancies,” he is making his wife’s condition worse instead of