(1) What is the situation (or situations) that Paul appears to be addressing in the letter? In other words, what is the occasion Paul is responding to?…
Having returned always without the first price, discouragement gets the better of him. After coming third, it is the feeling of guilt that he could have done better, which drives him to enter more and more piano competitions after he graduated from Year 12. His relationship with the Maestro is displayed on every other page throughout the novel. As Paul discovers many things about the Maestro, he begins to have an interest in his past. With this desire to learn music as well as about his Maestro's past lessons become more interesting and develops into more of a probing session about Keller's life in Vienna before he emigrated to Australia.…
He represents the final stage of reintegration by advising readers to reach out to individuals who are in distress, as he regrets not doing so to the young man. The hero in this story did not complete his quest because he did not help the young man that forced him to begin his journey; the hero apologizes to the young man from within his story for what he did not do. “… I was wrong, dreadfully wrong, not to step forward in his time of need… I’m sorry” The hero has successfully gone through the monomyth stages and has come out of his journey with his newfound gift; however, his quest is left…
The monomyth’s hero moves through the first stage, that of departure. Within the departure are several short events: he is called to adventure; he gets supernatural aid, and fully accepts the quest. The story begins with a first person perspective of an unknown protagonist. The unknown protagonist receives his call to adventure when he notices a well-dressed young…
Paul gained new knowledge about learned that he must help anyone in need as the world contains people who are in need of help. Offering help was important to Paul as people perceive it as the right thing. Paul began his journey in the elevator as the man broke down in front of him and ended when he decided to share his story by writing “The Step Not Taken” this would help people who went through similar experiences. The narrator thought it was best way to get the incident off his chest and gave people hope that are in need.…
Mr Mompellion does not only lose his faith in humanity - prior to the commencement of the…
To begin, the narrator is our protagonist and hero. The protagonist is called to an adventure in the first stage of separation. Unaware that his or her life is about to change, (“Nothing at all to indicate what was about to take place.”) the adventure begins when the protagonist is “followed onto an elevator by a well-dressed young man carrying a briefcase,” and the young man begins to cry. Ultimately, it is the hero who decides to accept or ignore the quest to help the young man, and the hero chooses not to help. (“I didn’t know what to do, so I did nothing.”) In the separation stage of a monomyth, a guide or magical being appears to assist the hero. For example, in the well-known Fairy Tale Snow White and the Seven Dwarves, the dwarves are the guide or spirit that provides Snow White with food and shelter while she is in the sacred world. Or in the George Lucas movie “Star Wars,” Obi Wan Kenobi acts as a guide for the protagonist Luke Skywalker. The guiding spirit in this case, is the own conscience and integrity of the protagonist. Reflecting on his decision to refuse help, the protagonist realizes his mistake and is overcome with dishonour, humiliation, shame and guilt. (“What I did next still shames me.”) It is then that he decides to go on a journey into his own thoughts, allowing the hero to leave the familiar social realm and enter into the unknown territory. This separation stage is complete when the narrator accepts his quest bringing the story to the second stage of monomyth, struggle or initiation.…
An essay that I will be examining through the framework of a monomyth archetype is “The Step Not Taken” by Paul D'Angelo in which he recollects his thoughts and emotions after a Toronto-based event in which he is faced with a young man in an elevator who suddenly and without provocation breaks down in tears, thus putting the author's public persona that he carries for strangers at odds with his inner ego and sense of social self-worth. The questions that the author has explored in the essay were “Why has the man started crying?”, “What should or could have the narrator done to help?” and “What might the man's reaction have been if the narrator have done anything differently?”. In this essay, I will assign the author a role of a classic archetypical…
Moving on, common literary devices never failed to convey the range of emotions Paul felt towards his topic. In his precarious state as a young medical student, a simple use of personification embodied the fear that struck him like a wave through the quote, “But the fear still lurked--I could feel its fluttering--that through accident or expectation, I’d be called on to deliver a child by myself, and fail.” (55) On the contrary, this quote rests more closely to the side of life and its hardships in his overall topic. Another quote has a similar effect with the metaphor, “…the image of the twins being extracted from the uterus interrupted my sleep. Like a premature lung, I felt unready for the responsibility of sustaining life.” (61) Fear wasn’t all that he felt when standing in front of death, sadness almost swept him away at times such as, “I was in the hospital: trapped in an endless jungle summer, wet with sweat, the rain of tears of the families of the dying pouring down,” (78).…
7. What excuse does Paul give the soldier as to why he cannot leave his family? Why do you think this is?…
A. Thesis Statement: Both Cather and Twain use the archetypical terrible mother, river, and wise old man in their novels and these usages help to demonstrate the universality of archetypes: a reoccurring motif in literature that is used as a literary device to convey a wealth of meaning.…
Throughout this scene, while Paul is talking, you can read his body language and pick up on other clues as to what he just might be feeling or truly thinking. If the tone in his voice is observed, it is easy to tell that he had a deep concern for his people and was worried. Although the tone of his voice portrayed this, his posture showed confidence for the most part. However, his body did seem bit tense, which shows that he is not completely comfortable with the situation. His eyes showed concern, sadness, and his facial expressions seemed to be stern, yet caring. When Paul is using his hands, you can notice that during most of his talk he has one hand crossed and he uses the other to motion as he speaks. This shows that his communication is partially open, but also partially closed. Body language is easy to spot, and with some previous learning- people can decipher what a person is truly saying through their body…
Throughout the book, Paul’s attitude towards Keller changes many times usually as a direct result of the way Keller treats him. For example, when Keller throws away one of Paul’s manuscripts, Paul fiercely hates him but when Keller surprisingly says that Paul should have won the music competition, Paul once again feels genuine affection for him. These changes in feelings by Paul show that he is a character who often lets his heart rule his head, and that his behaviour is very often dictated by his emotional condition.…
Paul D gets a lot of first-hand experience with the supernatural at 124, and when he first observed this ‘he backed out the door onto the porch. “What kind of evil you got in here?” “It’s not evil, just sad. Come on. Just step through” (Beloved 8). Paul D is very cautious, feeling the presence, but taking heed of Sethe that everything is alright, he begins to accept the presence, but still remains cautious. Many days after Paul D had the encounter with the spirit when first entering 124, he had a more intense encounter that turned violent towards him. He told the spirit to “leave the place alone! Get the hell out!” A table rushed toward him and he grabbed its leg. Somehow he managed to stand at an angle and, holding the table by two legs, e bashed it about, wrecking everything, screaming back at the screaming house. “You want to fight, come on! God damn it! She got enough without you. She got enough!” (Beloved 18). Paul D gets physically attached by the spirit via household items, and he is more than willing to fight back with words and actions. Paul D seems fed up with the spirit and the suffering it causes on all who visits 124.…
tormented by Beloved after the arrival of Paul D, Sethe is constantly questioning the justification…