Character Analysis: The Old Man and the Sea
THE ROLES OF THE LITTLE BOY IN
THE OLD MAN AND THE SEA
by
Huang Jikui
June, 2007
Xiaogan University
Abstract
The Old Man and the Sea tells the frustrated experience that the old fisherman fishes in the course. The theme is deep, and it is a song of praise of heroism. “But man is not made for defeat. A man can be destroyed but not defeated” has been the classic saying and the old man also has been the most typical and the most representative of the Hemingway’s “tough guy”. When Hemingway talked about the successful factors later, the little boy was mentioned in the same breath with the old man.
This paper starts with the details and it is divided into two main parts to discuss the indispensable roles of the little boy in the novel. It is him who helps to perform the theme of “grace under pressure”: during 40 days, the old man with the little boy went to fish but without taking a fish, when his situation was getting worse step by step, the little boy’s leaving was the heavy pressure that achieved the extreme stern for certain. However, it was so “heavy pressure” that his manner was graceful when the old man faced afterwards defeat and his optimistic, generous life attitude was worthy tasting by people carefully; it is him who plays the role of leading, inspiring to the readers, and increasing the appeal of the work, enriching the content of the work: although the little boy appears only at the beginning and the ending in the novel, there is nothing in his inner state but the old man, so his attitude and emotions towards the old man affects the readers’ emotions for the old man quietly and gradually. And it is unavoidable that his inner feeling leads and impacts the readers’ emotions.
Key words: roles; the little boy; the old man; grace under pressure; The Old Man and the Sea
小男孩在《老人与海》中的作用
摘 要
THE OLD MAN AND THE SEA
by
Huang Jikui
June, 2007
Xiaogan University
Abstract
The Old Man and the Sea tells the frustrated experience that the old fisherman fishes in the course. The theme is deep, and it is a song of praise of heroism. “But man is not made for defeat. A man can be destroyed but not defeated” has been the classic saying and the old man also has been the most typical and the most representative of the Hemingway’s “tough guy”. When Hemingway talked about the successful factors later, the little boy was mentioned in the same breath with the old man.
This paper starts with the details and it is divided into two main parts to discuss the indispensable roles of the little boy in the novel. It is him who helps to perform the theme of “grace under pressure”: during 40 days, the old man with the little boy went to fish but without taking a fish, when his situation was getting worse step by step, the little boy’s leaving was the heavy pressure that achieved the extreme stern for certain. However, it was so “heavy pressure” that his manner was graceful when the old man faced afterwards defeat and his optimistic, generous life attitude was worthy tasting by people carefully; it is him who plays the role of leading, inspiring to the readers, and increasing the appeal of the work, enriching the content of the work: although the little boy appears only at the beginning and the ending in the novel, there is nothing in his inner state but the old man, so his attitude and emotions towards the old man affects the readers’ emotions for the old man quietly and gradually. And it is unavoidable that his inner feeling leads and impacts the readers’ emotions.
Key words: roles; the little boy; the old man; grace under pressure; The Old Man and the Sea
小男孩在《老人与海》中的作用
摘 要
Bibliography: 1. Burhans Jr. . S. Clinton. “The Old Man and the Sea: Hemingway’s Tragic Vision of Man,” in Ernest Hemingway: Critiques of Four Major Novels, ed. Carlos. Baker. Charles Scribner’s Sons, New York, 1962, p.155. 2. Carlos. Baker. Hemingway: The Writer as Artist, Princeton University Press, Princeton, 1972, p.309 3 4. Ernest Hemingway. “The Old Man and the Sea, Carlos. Scribner’s sons”, New York, World Publishing Corporation, Beijing, 1989 5 6. K Singer. “Hemingway: Life and Death of A Giant”. Holloway House Publishing company[M], 1963 7 8. William Faulkner. “Shnandoah” (1952), in Hemingway, The Critical Heritage, ed. Jeffrey Meyers, Routledge & Kegan Paul, London, Boston and Henley, 1982, p.414. 9. 董衡巽 海明威谈创作[M].生活. 读书. 新知三联书店, 1985年, 第140, 51, 3, 145, 40页 10 13. 李启光 老人与海赏析[J].见外国文学研究, 1983年第四期,第84页 14