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The Quiet Tenour In Mary Shelley's Frankenstein

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The Quiet Tenour In Mary Shelley's Frankenstein
Elizabeth continues to follow her crying with “what delight!” constituting to the idea that she is ecstatic and weeping for joy, not for sadness. The word rapturously, in summary, means being overjoyed.
“She had also to anticipate how her visit would pass, the quiet tenour of their usual employments, the vexatious interruptions of Mr. Collins, and the gaieties of their intercourse with Rosings,” (Austen 158).
Elizabeth was wondering how the visit go and deciphered the usual occurrences that went on. The quiet tenour can be defined as the quiet tone or course of their day to day formalities based on the context of Chapter 5.
“ She seems perfectly happy, however, and in a prudential light it is certainly a very good match for her,” (Austen 177).
…show more content…
. Her father, William Godwin can be described as “one of the most famous and versatile thinkers and writers of his time,” which impacted Shelley’s ornate style in a significant matter. Furthermore, due to her father’s anger about her “cursing” her mother’s death during pregnancy, Mary felt distant from her father and turned to books for an emotional outlet. The diction of the novel is specific, yet elaborate. For instance, after Victor Frankenstein creates the monster he “rushed out of the room and continued a long time traversing my bedchamber unable to to compose my mind to sleep,” (Shelley 69). Such scholarly diction gives a clear and vivid image of what he did following the completion of the monster; however, it is more than just saying he ran out of the room and could not fall asleep. Shelley uses erudite vocabulary to appeal to intellectual readers and as well as to create an impressively through novel that can be described as extremely …show more content…
Jim’s choppy language is like most Southern African Americans during this time. It reminds me of Tom’s lack of grammar in To Kill a Mockingbird; however, Jim’s is a bit more extreme.
"Yes, he's got a father, but you can't never find him these days. He used to lay drunk with the hogs in the tanyard, but he hain't been seen in these parts for a year or more,” (Twain 42).
Huck’s father reminds me greatly of Rachel in The Girl on the Train, since they both share a drinking problem. Rachel blackouts out while drinking when a murder occurs on the train, the same way that Huck’s father comes home every night drunk. Both do not recall what actions occurred while they were intoxicated. “But I reckon I got to light out for the territory ahead of the rest, because Aunt Sally she’s going to adopt me and sivilize me, and I can’t stand it. I been there before,” (Twain 250).
Huck reminds me of Thoreau when he wrote Into the Wild. Thoreau and Huck share the same personalities of wanting to stray from society and to not conform to the world. Both Thoreau and Huck cannot stand the thought of living on the

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