Discuss this statement, showing how composers of texts represent their ideas in relation to identity. In your response you must refer to Othello and one other related text.…
1.)A noble "Moor", in the service of the Venetian State, Othello is introduced to us in the very first scene by the term "Moor", when Iago complains that Othello has made Cassio his lieutenant and not him. We also learn from Iago that Othello has a relationship with the fair Desdemona. Respected by the Duke of Venice, who is the first to address him by name (Othello in Act I, Scene III) and who sends for him when Cypress is threatened by Turkish forces, Othello is continuously described by his critics (Brabantio, Iago) as a "Moor" a reference to his dark skinned appearance and a reference to the race of Muslim peoples of north-western Africa to which Othello belongs.…
ACT 1IAGO I hate the Moor: And it is thought abroad, that 'twixt my sheets He has done my office: I know not if't be true; But I, for mere suspicion in that kind, Will do as if for surety. (1.3.12)…
Othello is a black protagonist in the play, Othello. He differs from all of the other characters, because he is not a native European. Other characters notice and use his race and ethnicity as a means to belittle him. He is identified by other characters as being a ..Moor.' The Moors were the medieval Muslim inhabitants of the Iberian Peninsula. The way that other characters respond and speak and about Othello…
William Shakespeare based his play Othello, published in 1603, on the short story Un Capitano Moro by Giraldi Cinthio, which was published in 1565. Even though the two stories have many similar points and aspects, they are quite different. The basic structure of the plot is almost the same in both stories; each author simply wrote in their own details. Both authors also had different writing styles. Cinthio chose not to name any of his characters except for Disdemona, and Shakespeare gave all of his characters actual names. Shakespeare mainly depended on indirect characterization. His characters expressed their true intentions through…
In the play Othello written by Shakespeare, Iago is characterized as an individual who is both manipulative, egoistic and troubled. He had previously suspected that Othello, otherwise known as Moor had slept with his wife Emilia. Leaving Iago with a strong desire for revenge. Shakespeare successfully uses diction and symbolism throughout the passage. These devices are used to provide the reader insights regarding Iago’s character and motivation.…
Shakespeare was well aware of racial tension in England and included the theme of racism in Othello. He shared some of the deep fears of his contemporaries about black people. As early as 1596, Queen Elizabeth complained of the number of black people in England and racism in the 16th century did exist, but the ideas and images were only partially developed. In England more than in southern Europe, the concept of blackness was loaded with intense meaning. Englishmen found the idea of blackness a way of expressing some of their most ingrained values. The meaning of black before the 16th century, as described by the Oxford English Dictionary, included "deeply stained with dirt, soiled, foul, deadly, baneful, disastrous, sinister". Black was an emotionally partisan color and a sign of danger. Therefore, Shakespeare created a character who reflected some of these attitudes. Othello is a Moor of noble descent and a convert to Christianity and was sold to slavery and redeemed. The description of Moors emphasizes many attributes seen in Othello: extreme jealousy, courage in battles and pride. Othello as an African is important not because of what he is, but because of how he is perceived specifically by the other characters and by himself. Most characters in the play show some type of racism towards Othello. His blackness is not only a…
The Elizabethan portrait of the dark-skinned “other” clearly established him as a bestial force, dangerous because of their sexuality, temper and magical powers. Generally, a moor represented in plays before Othello confirmed these stereotypes. Shakespeare incorporates these racial stereotypes and uses Iago to depict them, for example Iago calls Othello a ‘barbary horse’, and claims that Desdemona will have children who will ‘neigh’.…
‘Othello’ was written in the Elizabethan era. Its characters and their language reflected much of the white European society’s views of race and gender. People of colour in England at that time were exceedingly rare. Those that there were were an unfamiliar sight, and they provoked feelings of distrust, hostility and mystery. The idea of a baptised Moor, much esteemed by the senators of Venice, would seem alien to the first audiences of this play. A quote from Coleridge on what he considered to be the attidude of the Elizabethan audience to Shakespeare using Othello as lead character:…
Mal Peet I believe has successfully transformed Othello into a 'modern day tragedy', Exposure. He uses many similar characters, with many of the same personalities/motives. The two texts also explore many of the same themes, such as the outsider, racism and reputation. Mal Peet puts a modern spin on the tale.…
1. There are three main reasons for why Iago hates Othello. The first being that Iago deeply believes that there used to be an affair between his wife Emilia and Othello. While there is no actual evidence to support the affair, the fact that Iago believes it happened supports the fact that he is very paranoid and might be searching for reasons to hate Othello. The second is that Othello denied Iago a promotion he believes he very much deserved. The fact that Othello gives the promotion to Cassio is what leads Iago to take out revenge on both. The third (and most obvious reason to me) is the simple fact that Othello is a Moor (black) and Iago is angry act the fact Othello has authority over him and is praised by the other characters. On line 1.3.322, Iago meant that we get to choose who we want to be and that whatever we nurture becomes our nature. Iago chose to warn Othello because he is two-faced and wants to remain on Othello’s side just long enough to take him down.…
In Othello, Shakespeare exposes Iago’s true self to the audience, or what we think of as his true self. During the last passage in Act I Scene III, Iago is alone on stage and delivers his first soliloquy, where the character shares his inside thoughts. When Iago shares his thoughts concerning Othello, his character starts to come out more. Shakespeare characterizes Iago as someone who wants revenge on Othello and plans a scheme to quench his thirst for vengeance. Shakespeare shows us how vengeful Iago is through his tone, figures of speech and diction.…
Emilia and Desdemona are both confined within a patriarchal power structure, and although their responses to this dynamic are different, they both ultimately die because of it. Emilia and Desdemona reside within a patriarchal society. Emilia and Desdemona both react differently toward their husbands’ actions. Both Desdemona and Emilia die as a direct result of their husbands’ authority over them.…
Texts are usually a reflection of the time period and the values held during that time period. When compared, William Shakespeare’s play Othello written in the 16th century England and Tim Blake Nelsons film O produced in 20th century America, accentuates the reflection, when analysing the contexts, purpose, form, audience via characters and themes arises the context which are historical, social and cultural as well as the values held during the time periods.…
Othello, Shakespeare In Shakespeare’s play Othello, Iago uses racial distinction to persuade Othello into believing there is an affair between Desdemona and Cassio. Iago feeds upon Othello’s insecurities to raise his fury. Othello's self-doubting eventually leads to downfall; his doubt within himself causes him to distrust Desdemona and her love for him. Othello uses his race as his scapegoat for his belief in being poor spoken and revolting, as he states, “My name, that was as fresh as Dian’s visage, is now begrimed and black as mine own face” (III.iii.441-43). As Othello falls deeper into his fury he is seen as regressing back to his vicious native heritage. Iago continues to feed the fire pointing out Othello’s savage actions, for example, “I have seen the cannon when it hath blown his ranks into the air and, like the devil, from his very arm puffed his own brother…”(III.iv.154-59). As the story progresses Iago pushes Othello into uncertainty and drives him mad.…