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The Influence of Hip Hop on Today's Youth

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The Influence of Hip Hop on Today's Youth
Anaya Ragland
April 30, 2012
English Composition II
Dr. Janardanan
Research Analysis Essay

The Influence of Hip Hop on Today’s Youth “After silence, that which comes nearest to expressing the inexpressible is music.” This profound statement from English writer, Aldous Huxley, demonstrates the importance that music obtains in today’s society. Simply, music is a form of expression, not limited to any specific genre. Although this expression is not limited to one genre, there is one that seemingly obtains the title of most controversial. The Rap/Hip-Hop genre has been harshly criticized for the topics of discussion in which many songs entail, and the various projected images. Everything has its pros and cons; many people have lost sight of its purpose. Student of Dartmouth College, Rebecca Heller states, "Many people don't realize that hip-hop began by bringing communities and neighborhoods together on the streets of the South Bronx." Hip-Hop is not only a tool of personal expression, but it is also a tool of communal empowerment. Tricia Rose, author of Black Noise, writes that “it is a black cultural expression that prioritizes black voices from the margins of urban America” (2). Hip-Hop is a social movement. It is a way for the African-American community to identify, as the search for identification is a struggle. “Hip hop emerges from a complex cultural exchanges and larger social and political conditions of disillusionment and alienation” (59). In today’s society, the best method in connecting to the youth is the media outlet, through music or television. So how does Rap/Hip-Hop influence today’s youth? It influences each individual differently; life is what you make of it. Hip Hop influences today’s youth either positively or negatively; it creates a sense of awareness, cultural connection, and empowerment or creates a negative image for admiration and enforces negative stereotypes. Altogether hip hop is a powerful force, not to be taken lightly. In



Cited: Alridge, Derrick. “From Civil Rights to Hip Hop: Toward a Nexus of Ideas.”The Journal of African American History. 90.3. The History of Hip Hop (2005): 226-252. Gordon, Dexter B. Black Identity : Rhetoric, Ideology, And Nineteenth-Century Black Nationalism. Illinois: Southern Illinois University Press, 2003. eBook Collection (EBSCOhost). Web. 1 May 2012. Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. New Hampshire: University Press of New England, 1994. Print. SaeNgian, Kathy. “Researcher cites negative influences of hip-hop.” Pittsburgh Post- Gazette on the Web. 13 June. 2008. 29 May. 2012. http://www.post- gazette.com/stories/sectionfront/life/researcher-cites-negative-influences-of-hip- hop-398214/ Shakur, Tupac. “Changes.” Greatest Hits. Interscope Records, 1992. CD. Shakur, Tupac. “Keep Ya Head Up” Greatest Hits. Interscope Records, 1992. CD. Watkins, Craig. Hip hop Matters : politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press, 2005. Print

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