The Importance Of Lighting In Harry Potter And The Half-Blood Prince
Harry Potter and the Half-Blood Prince, directed by David Yates, and based on the book by J. K. Rowling, expresses the amount of important and influential lighting throughout her movie and is also focused on the new amount of dangers within the castle of Hogwarts. As this young boy is preparing for a new battle to begin there are other differing dangers throughout the castle. Tragedy threatens the lives of people throughout Hogwarts and shows this by the amount of darkness and the unknown within the first few minutes of the movie. Darkness makes its appearance with gloomy skies and dark places where the unknown could be anything when exploring the dominate dangers ahead. The movie brings a lot to the table and shows the attractive camera-ready
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When the scenes are brighter, they are intense and glistening with happiness and pure bliss. Nothing could go wrong in the moments of these scenes. In the small amounts of time these scenes are shown, it appears to be very light and soft and there are few shadows blocking any kind of subjects or important materials that might need to catch the eyes of the viewers. The high-key lighting gives the movie the way of filling the lighting and is a step up from the three-point lighting. The three point lighting shows characters and other elements of the movie three different directions of looking at what the viewer is supposed to be focused on within the time of the movie. This way of lighting is the most commonly used lighting when there is a narrative film. It gives depth and insight to what the observer is supposed to be viewing and gives a comprehensive judgment and understanding of what is happening and what they should be taking away from the situation. This way of lighting also doesn’t give a huge dramatic insight to what is happening around them. Just the shadows of the background and nothing more than that. The watcher is just focused on the people and nothing more than that or anything in the background because there is nothing more happening. The most interesting part of the movie that people never tend to realize is how dark and mysterious this movie is. That is how the film was meant to be, but unless the viewer is aware and focusing on the dark lighting of the movie, it is unnoticeable and only gives a mysterious and gloomy view on the movie in which the events are taking
When the scenes are brighter, they are intense and glistening with happiness and pure bliss. Nothing could go wrong in the moments of these scenes. In the small amounts of time these scenes are shown, it appears to be very light and soft and there are few shadows blocking any kind of subjects or important materials that might need to catch the eyes of the viewers. The high-key lighting gives the movie the way of filling the lighting and is a step up from the three-point lighting. The three point lighting shows characters and other elements of the movie three different directions of looking at what the viewer is supposed to be focused on within the time of the movie. This way of lighting is the most commonly used lighting when there is a narrative film. It gives depth and insight to what the observer is supposed to be viewing and gives a comprehensive judgment and understanding of what is happening and what they should be taking away from the situation. This way of lighting also doesn’t give a huge dramatic insight to what is happening around them. Just the shadows of the background and nothing more than that. The watcher is just focused on the people and nothing more than that or anything in the background because there is nothing more happening. The most interesting part of the movie that people never tend to realize is how dark and mysterious this movie is. That is how the film was meant to be, but unless the viewer is aware and focusing on the dark lighting of the movie, it is unnoticeable and only gives a mysterious and gloomy view on the movie in which the events are taking